2020-03-01 Total Guitar

(Jacob Rumans) #1
TOTAL GUITAR MARCH 2020

78


JAM


TRACK


G


ypsy jazz is widely associated
with Romani guitarist Django
Reinhardt, who pioneered the
genre in Paris during the 1930s.
Now best remembered for his
collaborations with violinist
Stéphane Grappelli, Django was
a musical genius, and his playing
style continues to inspire jazz
guitarists such as Angelo Debarre,
Jimmy Rosenberg, Remi Harris
and Biréli Lagrène to this day.
This style of jazz is a slick musical
form that demands good technique.

Uptempo solos tend to be based on
wide-interval arpeggios and fast scale
runs, and regular chord stabs outline
the progressions with each lick. Of
course, this means that you have to
know the progressions inside out.
Our Jam Track shouldn’t pose
too much of a challenge, but tougher
diminished chords and fast changes
are commonplace in the style. Take
a look at the chord chart, practise
playing through the chords, and
work out two or three voicings for
each before you start soloing.

JAM TRACK PLAY GUITAR WITH A BAND!


GYPSY JAZZ


Channel the smooth, technical playing


style of Django Reinhardt with TG’s


gypsy jazz walk-through


Guitars and backing

Ph
Capone
Photography

Michael Ochs Archives/Getty

CHORDS


F


ive chords is all you need if you want to play
along with this month’s backing track.
They’re all barre chords though, so, if the
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to some open chords instead – we’ve provided
both here. Most importantly, listen to our backing
track for a standard Gypsy jazz rhythm groove
and try to join in with the swinging uptempo feel.

SCALES


T


ypically of Gypsy jazz, there are a fair number of scale
options here. A natural minor and A blues scales both
work well over the Am and Dm chords, and you can switch
to A harmonic minor over the E7. When you reach the A7 and B7
chords try using an arpeggio – simply play a lick using notes
from the chord shapes.

Am

1
4

Dm

1
2

1

3 4

Am

1 1 1

3 4

3
4

5 1 1 1

4

1 1

2

3

1

4 4

A naturalminorscale A blues scale


3 3

1

1

1

4

3

1 1 2 1

4

4

5 1

X
5

E7

1

4

1

3

X
7 1

A7

1 1 1

3

5 1
2

B7

1 1 1

3

7 1
2 2

XO O

Dm

1

3

XXO

2

E7

4

5
2

1

3

X X

A7

2 3

XO OO

B7

3 4

XO

2

1

4 4

2

4

A harmonic minorscale


(^33)
2
1
2
4
3
1 1 2 2
1
4
4 4
3
4
3
3
3

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