A Companion to Mediterranean History

(Rick Simeone) #1

312 cecily j. hilsdale


Folda, J. (1995) The Art of the Crusaders in the Holy Land, 1098–1187, Cambridge and New
York: Cambridge University Press.
Grossman, H. and Walker, A. (2012) Introduction. Medieval Encounters, 18: 299–314.
Guérin, S.M. (2010) Avorio d’Ogni ragione: The supply of elephant ivory to northern Europe
in the Gothic Era. Journal of Medieval History, 36: 156–174.
Gunter, A. (2009) Greek Art and the Orient, Cambridge: Cambridge University Press.
Hamann, B.E. (2010) The mirrors of Las Meninas: Cochineal, silver, and clay. Art Bulletin, 92:
6–36.
Hoffman, E.R. (2001) Pathways to portability: Islamic and Christian interchange from the
tenth to the twelfth century. Art History, 24 (1): 17–50.
Jirat-Wasiutynski, V. (ed.) (2007) Modern Art and the Idea of the Mediterranean, Toronto:
University of Toronto Press.
Kousser, R. (2009) Destruction and memory on the Athenian Acropolis, Art Bulletin, 41 (3):
263–82.
Mango, C. (1972) The Art of the Byzantine Empire, 312–1453: Sources and Documents,
Englewood Cliffs, NJ: Prentice-Hall.
Morris, I. (2009) The Greater Athenian state, in The Dynamics of Ancient Empires: State Power
from Assyria to Byzantium (eds I. Morris and W. Scheidel), New York: Oxford University
Press, pp. 99–177.
Nelson, R.S. (1996) Living on the Byzantine borders of western art. Gesta, 35 (1): 3–11.
Nelson, R.S. (1997) Map of art history. Art Bulletin, 79 (1): 28–40.
Ousterhout, R. and Fairchild Ruggles, D. (2004) Encounters with Islam: The medieval
Mediterranean experience. Art, material culture, and cultural interchange. Gesta, 43 (2): 83–85.
Riva, C. and Vella, N.C. (eds) (2006) Debating Orientalization: Multidisciplinary Approaches
to Change in the Ancient Mediterranean, London: Equinox.
Root, M.C. (1985) The Parthenon frieze and the Apadana reliefs at Persepolis: Reassessing a
programmatic relationship. American Journal of Archaeology, 89 (1): 103–120.
Schama, S. (1987) The Embarrassment of Riches: An Interpretation of Dutch Culture in the
Golden Age, London: Collins.
Schama, S. (1993) Perishable commodities: Dutch still-life painting and the “Empire of
Things”, in Consumption and the World of Goods (eds J. Brewer and R. Porter), New York:
Routledge, pp. 478–488.
Silver, K. (ed.) (2010) Chaos and Classicism: Art in France, Italy, and Germany, 1918–1936,
New York: Solomon R. Guggenheim Museum.
Tronzo, W. (1997) The Cultures of His Kingdom: Roger II and the Cappella Palatina in
Palermo, Princeton: Princeton University Press.
Wiesehöfer, J. (2009) The Achaemenid Empire, in The Dynamics of Ancient Empires: State
Power from Assyria to Byzantium (eds I. Morris and W. Scheidel), New York: Oxford
University Press, pp. 66–98.


Further Reading

Dumbarton Oaks Paper, 58 (2004).
This volume is a collection of papers from the 2002 Dumbarton Oaks Symposium on
“Realities in the Arts of the Medieval Mediterranean, 800–1500.”
Hoffman, E. (ed.) (2007) Late Antique and Medieval Art of the Mediterranean World, Oxford:
Wiley-Blackwell.
This collection brings together a series of seminal articles on the diverse visual cultures of the
Late Antique and Medieval Mediterranean, arranged thematically, and prefaces them with
a concise introduction.

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