Publishers Weekly - 27.01.2020

(Tina Sui) #1

Review_FICTION


44 PUBLISHERS WEEKLY ■ JANUARY 27, 2020


Review_FICTION


sleeper cell of dreamers rises up against
enforced wakefulness. An alternate present
finds the authorities intent on maximizing
productivity; Greater America deprives
its citizens of dreams by a system of drugs
and virtual realties called Comprehensive
Illusion (CI). Early on, the unnamed nar-
rator stumbles into Onirica, a rebel republic
and state of mind where dreams can be had.
Citizens of Onirica attempt to subvert CI
by upsetting its “symbolic order of reality”
and creating a “united dreamworld.”
Guided by Chevauchet, Onirica’s ambas-
sador, the narrator wanders ghostlike
through the streets of a parallel Paris,
inhabiting people’s dreams. “All should
enjoy right of passage through the dreams
and daydreams of others,” according to
Chevauchet, “on condition that they
abstained from meddling in them.” When
Chevauchet dies, the narrator assumes
his mantle and control of “Operation
Dormitory,” harboring sleeping insurgents
as the authorities close in. Chrostowska at
times overstuffs this Calvino-esque fairy
tale with literary and academic references,
but she succeeds in making Onirica a rebel
worth rooting for. Determined readers will
revel in the sheer fecundity of ideas in this
fiercely imaginative acid trip of an allegory.
(Apr.)

Frying Plantain
Zalika Reid-Benta. Astoria, $16.95 trade
paper (272p) ISBN 978-1-4870-0534-4
In Reid-Benta’s heartfelt debut collec-
tion of linked stories, a girl grows up in
Toronto while coming to terms with her
heritage. On a trip to Jamaica at age 10,
Kara screams after finding a pig’s severed
head in her great-aunt’s icebox. Back home,
she brags to her classmates that she was the
one who slaughtered it. Each story intro-
duces a new uncomfortable situation while
advancing along the timeline of Kara’s life.
In “Snow Day,” Kara tries on a patois (“Yuh
run yuh mouth too much”) and receives

struggle to survive. Enu and Kliau set off
in a “big hide boat” to find warmer lands,
while Armagirgin, a feared and cruel
warrior, defies Nau by harpooning a seal.
His prideful action brings about a major
storm, signaling that the end is nigh for
their Arctic Garden of Eden. Though the
plot and characters can feel underdeveloped,
Rytkheu’s folkloric prose and Chavasse’s
enchanting translation succeed in reimag-
ining indigenous and biblical tales. This
worthy fable offers profound considerations
about stewardship of and people’s relation-
ship to the natural world. (Mar.)

The Eyelid
S.D. Chrowstowska. Coach House, $16.95
trade paper (144p) ISBN 978-1-55245-408-4
In Chrowstowska’s alternately fun and
stuffy dystopian novel (after Permission), a

When the Whales Leave
Yuri Rytkheu, trans. from the Russian by Ilona
Yazhbin Chavasse. Milkweed, $14 trade paper
(144p) ISBN 978-1-57131-131-3
In the lyrical, provocative latest from
Rytkheu (1930–2008), after A Dream in
Polar Fog, an Eve-like woman of the Arctic
offers an unheeded ecological warning.
Nau, the lone human living among the
wildlife of the Eastern Siberian coast, forms
a bond with a whale she names Reu. After
Reu emerges from the sea as a fully formed
man, they begin a romance. Their union
produces both whale and human offspring,
and the two species live harmoniously for
generations. The novel’s tone darkens and
matures as it shifts its focus from Nau to
her descendants, who resent her mysterious
longevity and question her teachings about
their kinship with sea creatures as they

★ Marguerite
Marina Kemp. Viking, $26 (368p) ISBN 978-1-984877-83-3

I


n Kemp’s stellar debut, a young nurse gets caught up
in romance, jealousy, and gossip on a farm in the South
of France. Having trained to become a nurse in order
to help treat her sister’s meningitis, Marguerite Demers
takes a job caring for the prideful, cruel Jérôme Lanvier
at his dilapidated Saint-Sulpice farmhouse. There, she
befriends Suki, an Iranian who wears a hijab, causing the
townspeople to call her a “witch doctor.” Both women
provoke jealousy in Brigitte, who, along with her hus-
band, Henri, works for Jérôme. Suki has long been picked
on by gossipy and insecure Brigitte, who slanders her
perceived rivals with abandon. Meanwhile, Henri, a
handsome, sensitive farmer, is having an affair with Edgar, a writer, and is resigned
to stay at the farm with Brigitte, where he tries to find contentment working in
the dirt, enjoying “the day’s long accumulation of filth.” As Henri stands up for
Marguerite, the pair’s connection heightens. Eventually rumors, combined with
Suki, Brigitte, and Edgar’s jealousy, threaten Marguerite and Henri. Precise,
distinctive prose (train doors close “with a hiss like a punctured tyre”) and well-
drawn characters make this satisfying tale all the more memorable. Expect Kemp
to make a big splash. Agent: Clare Alexander, Aitken Alexander Assoc. (Mar.)

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