The Shaolin Monastery. History, Religion and the Chinese Martial Arts

(Frankie) #1

  1. Huiming brandishing the staff; woodblock illustration
    dated 1614 99

  2. Late Ming woodblock illustration of Sha Monk wielding
    the staff 100

  3. The ring staff as the emblem of the monk; detail of a
    Xixia-period (1038–1227) wall painting 103

  4. The staff as the emblem of the monk; Japanese portrait of
    the Chinese monk Yinyuan (1592–1673) 104

  5. “The body method of the Shaolin monk” in Xuanji’s
    Acupuncture Points 115

  6. Warning to readers in Xuanji’s Acupuncture Points 119

  7. Palm postures betraying the influence of Buddhist mudrâs
    (Xuanji’s Acupuncture Points) 1 20

  8. Buddhist hand symbolism (mudrâs) 1 21

  9. The “Eight-Immortals Drunken Step” in Hand Combat Classic 122

  10. Shaolin monks demonstrating to the Manchu official Lin Qing 128

  11. Qing fresco of the Shaolin martial arts 130

  12. Qing fresco of the Shaolin martial arts (detail) 130

  13. The “Supreme Ultimate Eight Steps” in Hand Combat Classic 134

  14. Massaging and qi circulation in the treatment of indigestion 143

  15. First exercise of the Twelve-Section Brocade in
    Wang Zuyuan’s 1882 Illustrated Exposition 159

  16. Shaolin statue of Weituo (Skanda) 161

  17. “Weituo offering his [demon-felling] club” in a nineteenth-
    century edition of the Sinews Transformation Classic 162

  18. The Shaolin “Bodhidharma Cane” 173

  19. The unity of the three teachings in a 1565 Shaolin stele 176

  20. The structure of martial arts mythology 179

  21. Shaolin monks who fought under the Ming minister of war
    Yang Sichang 189


x Maps and Figures

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