The Shaolin Monastery. History, Religion and the Chinese Martial Arts

(Frankie) #1

inscription as transcribed in Wang Chang, Jinshi cuibian, 77.18b. See also Tonami,
The Shaolin Monastery Stele on Mount Song, pp. 47–48.



  1. Tonami, The Shaolin Monastery Stele on Mount Song, pp. 47–52.

  2. Gu Shaolian’s history is titled “Song yue Shaolin xin zao chu ku ji” (“Record
    of the Reconstruction of the Song Mountain Shaolin Monastery’s Kitchen and Store-
    house”). It was inscribed on a Shaolin stele, which today is badly damaged. However,
    the text in full is transcribed in such late Ming sources as Fu Mei, Song shu, 20.13a–
    16b. Gu Shaolian’s biography is available in Xin Tang shu, 162.4994–4995. Compare
    also Jiu Tang shu, 13.396.

  3. The governor was accompanied by two lower ranking officials, Lu Yin and
    Yuan You. His visit is dated Huichang, fifth year, second month, twenty-sixth day.
    The visit was recorded on the narrow side of the same stele as Gu Shaolian’s letter.
    I am grateful to A’de who pointed to me this inscription, which, to the best of my
    knowledge, is nowhere transcribed. On Wuzong’s suppression of Buddhism, see
    Weinstein, Buddhism Under the T’ang, pp. 114–136.

  4. My translation is based on an original rubbing. Compare also the transcrip-
    tions in Tonami, The Shaolin Monastery Stele on Mount Song, p. 22; and Xu Changqing,
    Shaolin si yu Zhongguo wenhua, p. 104.

  5. As is evident from the usage of his posthumous temple name, Taizong.

  6. Of the seven texts inscribed on the Shaolin stele, the list of thirteen monks
    appears last. Thus conceivably it could have been added to the stele at a later date.
    In particular, the reference to the Tang raises the suspicion that the list of thirteen
    monks might have been compiled after that period (all the other documents on
    the stele are dated by reign periods only). Nonetheless, late Ming scholars such as
    Du Mu and Gu Yanwu concluded that “thirteen monks had been recognized for
    their merit.” See Du Mu, You mingshan ji, 19a; and Gu Yanwu, “Shaolin seng bing,”
    in Gu Yanwu, Rizhilu jishi, 29.21b.

  7. Daoxuan, Xu Gaoseng zhuan, T, no. 2060, 50:553c. According to Pei Cui,
    Sengchou served as Shaolin’s abbot. See his “Shaolin si bei” as transcribed in Wang
    Chang, Jinshi cuibian, 77.16b.

  8. The original has jun, which equals thirty jin. A Tang period jin equaled ap-
    proximately one and a half English pounds.

  9. Chaoye qian zai, 2.21–22. The story’s relevance to Shaolin history has been
    pointed out by Kuang Wennan, “Shaolin xiwu de faduan ji zaoqi Daojiao wushu,”
    p. 10; and A’de, “Jinnaluo wang kao,” p. 99.

  10. This is, for example, the typical iconography of the Four Lokapâlas, divine
    guardians of the universe, also known as the Catur Mahârâjas (Chinese: Hushi Si
    Tianwang). See Stein, Serinida, 2:870–876; Getty, Gods of Northern Buddhism, pp.
    166 –168; and Demiéville, “Le Bouddhisme et la guerre,” pp. 375–376.

  11. The Chinese “ jin’gang” renders the Sanskrit’s secondary meaning of “dia-
    mond.” See Monier-Williams, Sanskrit-English Dictionary, p. 913; and “ jin’gang” in
    Foguang da cidian, 4:3532–3533. Vajrapâÿi is sometimes identified with Indra. See
    Lamotte, “Vajrapâÿi in India,” pp. 1–9. See also Frédéric, Les dieux du Bouddhisme,
    pp. 209–211; and Getty, The Gods of Northern Buddhism, pp. 50–53, 200.


212 Notes to Pages 33–37

Free download pdf