Digital Camera World - UK (2020-04)

(Antfer) #1
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undamentally a headshot
should be really simple. It’s one
person, sitting or standing still,
and all you need are three or
four good photographs. The
classic headshot is a photograph of a person’s
face that usually includes their shoulders.
Model: Rhiane Hacker

1


Clothing
Neutral colours tend to put the focus
on the face, which is the ultimate goal.
Avoid shirts with collars, logos or patterns, or tops
with lots of bright colours. These draw attention to
themselves which we do not want – keep things
simple and clean!

2


Backgrounds
Traditionally headshots were taken on a
solid black or white backdrop, but recently
things have moved on. Great backdrops are easy to
find. Use colours, find lines, and get a little creative!
Use local streets with natural light to produce great
results – this will also help keep your equipment
costs to an absolute minimum.

3


Lighting
Studio photography can be difficult
when you don’t have appropriate lights
or backgrounds readily available. Shooting in natural
light is easy – if you are out on a day where there is
harsh light, just head for a shaded area. This will
give you an even and consistent exposure, providing
a smooth surface of light to complement the skin
tones of your willing subject.

F


Master


headshots


Alistair Campbell
explains how to get great
results every time for this
classic portrait format

3 | PORTRAITS

20 DIGITAL CAMERA^ APRIL 2020 http://www.digitalcameraworld.com


4


Camera settings
Use a shallow depth of field to make your
subject stand out. Set your f-stop between
f/1.4 and f/2.8. Put your focal point on the eyes and
double-check the shot afterwards. Make sure that
your shutter speed is at least 1/125 sec. Keep your
ISO low, especially if the subject has dark hair or
clothing, to keep noise out of the darker areas.

5


Relax
If you’re relaxed, then the person you are
photographing will be relaxed. Chat with
them and take photos while you’re doing it; if the shoot
becomes too formal, that’s where problems can arise.
Always keep things positive. The first 10 minutes are
going to be awkward until you both start to loosen up.

6


Post-processing
If you’re shooting headshots for someone,
chances are they will be for a pretty
specific reason. Find out before the shoot how they
need the final images to look. Great headshots should
not need too much editing work: it should be a fair
representation of that person, not an image heavily
airbrushed with a lack of real skin detail or with
overprocessed effects like fake lens flares.

CLOTHING ADVICE
Avoid shirts with collars, logos or
patterns, or tops with lots of bright
colours. These all call attention to
themselves, which we do not need!
And formal shirts can make your
subject look like a corporate manager
rather than a creative individual.
Free download pdf