Quiltmaker - CA (2020-05 & 2020-06)

(Antfer) #1

56 Quiltmaker • May/June ’20


Modern Musings


In Praise of Simplicity


by Vivika Hansen DeNegre


When you think about all of the


geometric shapes at the fi ngertips


of every modern quilter, which one


comes immediately to mind? Is it


the ubiquitous circle that can be


hinted at with elegant curved


background quilting or quartered


and stitched into an elegant


variation of the drunkard’s path


pattern? Maybe you envisioned a


triangle, pieced as a fl ying geese


block, arranged into a hexagon


quilt, or elongated into spokes and


spikes. You could choose a rect-


angle of any shape; a trapezoid;


diamond; oval; or better yet, the


simple square.


Squares are, for the most part, the


most basic shape that a child can


defi ne, and a quilter can sew. The


key to their beauty and elegance is


their simplicity. Because each side


is exactly the same length, the


corners result in crisp and clean


90-degree angles. There is no


variation in this shape... a square by


any other name is “square”.


Triangles come in many forms;


diamonds can be elongated and


stretched; but if you change the


angles or lengthen one or two legs


of a square, you are designing with


an entirely diff erent shape.


As the modern quilt movement has
grown and developed from a
fl edgling aesthetic to a blossoming
trend, one design element has
remained constant: modern quilts
are generally simple (not necessar-
ily uncomplicated) and, in many
cases, square. It is the use of
straight-forward geometry that
makes them so.

Why the square? It’s elementary.
First, let’s consider the fl exibility of
this shape. Despite being rigid by
defi nition, the square is an ex-
tremely adaptable shape in the
hands of talented modern quilt
designers. Consider, for example,
that before we had computers (and
great software), most quilters used
graph paper to map out their ideas.
The simplest arrangement of a grid
format is a series of squares. Maybe
that is why so many traditional
quilts are block-based and ar-
ranged in rows and columns. The
square is also readily scaled up or
down because the math is (thank-
fully) easy and the sewing is
straight. And as far as block
variations are concerned, I can
think of more than a dozen off the
top of my head that can be
arranged in a unique and modern
format.

KeeKee pp it Simpleit Simple


Need more ideas for quilts that rely
on the square? Consider these as
food for thought:


  • Look to traditional blocks like
    the Log Cabin: Although this
    block is traditionally made of
    strips, it begins with a square
    and, in most cases, ends as one
    too.

  • Reimagine a block: Nine-
    Patch, Checker Board, and
    Around the World blocks use
    just the square, but their
    beauty comes from the use of
    value and color. How can you
    rethink these classics in a more
    modern way?

  • Go off the grid: Ditch the grid
    format and arrange squares of
    diff erent scale in an improvised
    layout.

  • Remember the elements
    of design: Contrast, balance,
    repetition, and negative space
    along with other design
    elements all should be
    considered when designing
    a quilt.

Free download pdf