The Mercenary Mediterranean_ Sovereignty, Religion, and Violence in the Medieval Crown of Aragon - Hussein Fancy

(Steven Felgate) #1

160 notes to pages 16–18



  1. Giménez Soler, “Caballeros”; Gazulla, “Zenetes”; Lourie, “A Jewish Merce-
    nary”; and Catlos, “Mahomet Abenadalill.”

  2. Giménez Soler, “Caballeros,” 348 – 49.

  3. This confusion is paralleled in etymological studies. While Joan Coromines
    and J. A. Pascual, Diccionario crítico etimológico castellano e hispánico, 516 – 18 ,
    claims that “jinete” derives from the Berber tribe, the Zanāta, it also claims that
    “jineta” derives from the Arabic gharnāṭa, the city of Granada.

  4. Lourie, “A Jewish Mercenary,” 367 – 73 ; and idem, “Anatomy of Ambiva-
    lence,” 8.

  5. Catlos, “Mahomet Abenadalill,” 259 n 6 , citing Antoni María Alcover i Sureda
    and Francesch de Borja Molls y Casanovas, Diccionari català- valencià- balear, s.v.
    “genet.” Boswell conflates Mudéjar and jenet soldiers, taking the term jenet to sig-
    nify any light cavalry soldier, Mudéjar or foreign. See, for instance, Boswell, Royal
    Treasure, 186.

  6. For the passage of other Arabic words into Romance and Latin, see Eva
    Lapiedra Gutiérrez, Cómo los musulmanes llamaban a los cristianos hispánicos;
    and Ana Echevarría Arsuaga, “La conversion des chevaliers musulmans dans la
    Castille du xve siècle,” in Conversions islamiques: Identités religieuses en Islam médi-
    terranéen, ed. Mercedes García- Arenal, 119 – 138.

  7. Sebastián de Covarrubias, Tesoro de la lengua castellana o española, ed. Mar-
    tín de Riquer, 640 : “Hombre de cavallo, que pelea con lança y adarga, recogidos
    los pies con estirbos cortos, que no baxan de la barriga del cavallo,” as cited with
    translation in Barbara Fuchs, Exotic Nation: Maurophilia and the Construction of
    Early Modern Spain, 92.

  8. Wallace Stevens, “The Comedian as the Letter C.”

  9. The French genet dates to the fourteenth century, the Italian ginnetto to the
    fifteenth.

  10. Shakespeare, Othello, I.i. 112 – 13.

  11. Shakespeare, Venus and Adonis, I.i. 282 ; and Philip Massinger, Renegado
    ( 1624 ), III.iii. 88. See also Massinger, Fatal Dowry ( 1616 – 19 ), IV.i. 73 ; idem, Very
    Woman ( 1634 ), III.v. 55 ; and John Fletcher, Thierry and Theodoret ( 1607 – 21 ), I.i.113.

  12. David Nirenberg, “Was There Race Before Modernity? The Example of ‘Jew-
    ish’ Blood in Late Medieval Spain,” in The Origins of Racism in the West, ed. Ben
    Isaac, Yossi Ziegler, and Miriam Eliav- Feldon, 232 – 64 , esp. 248 – 49.

  13. Claude Lévi- Strauss, Totemism, 89 : “We can understand, too, that natural
    species are chosen [as totems] not because they are ‘good to eat’ but because they
    are ‘good to think.’ ”

  14. See the Oxford English Dictionary, s.v. “jennet”; and Walter Scott, Ivanhoe,



  15. Generally, see Charles Oman, The Art of War in the Middle Ages, 378 – 1515 ;
    Hans Delbrück, History of the Art of War Within the Framework of Political His tory,
    III: 234 ; and Joseph R. Strayer, ed., Dictionary of the Middle Ages, s.v. “cav alry.” For

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