A Companion to Venetian History, 1400-1797
778 deborah howard setting for all human activity, and it is the potential to weave architecture into the warp of broader histor ...
Art in Venice, 1400–16001 Wolfgang Wolters in art history, the period from 1400 to 1600 is characterized by paradigm shifts. Wor ...
780 wolfgang wolters combined figures on tombs, altars, and on church and palace façades with “architectonic” elements. Figures ...
art in venice, 1400–1600 781 (of Pietro (c.1435–1515) and his sons tullio (c.1455–1532) and Antonio (c.1458–c.1516)) or Antonio ...
782 wolfgang wolters Doge Andrea contarini (died 1382) in the cloister of St Stefano. the poly- chrome figures and other element ...
art in venice, 1400–1600 783 From approximately 1460 onwards, work based on models from antiq- uity (all’antiqua) was repeatedly ...
784 wolfgang wolters previously, Pomponius Gauricus in his tract “De Sculptura” (about 1504) described it as compressius. Antoni ...
art in venice, 1400–1600 785 Particularly outstanding was the collection of cardinal Giovanni Grimani, not only for its antiquit ...
786 wolfgang wolters not encourage the readiness of the co-workers to take up the style of the director of the workshop. in the ...
art in venice, 1400–1600 787 da Udine, Francesco Salviati, and Federico Zuccari). through the medium of art and the picture prog ...
788 wolfgang wolters Farnese in 1554 casts a spotlight on a private level of meaning in regard to some of these nudi. to what ex ...
art in venice, 1400–1600 789 the service of Venice, who wanted to have an equestrian statue of himself erected on the Piazza S. ...
790 wolfgang wolters where a relief immortalizes the Siege of Scutari by the Ottomans (1479), were rare. Within the Scuole Grand ...
art in venice, 1400–1600 791 the intent of competing scuole to outdo one another with the artis- tic quality of their own buildi ...
792 wolfgang wolters of fellow brethren, representing the scuole, kneeling opposite the patron saint. restrictions like those fo ...
art in venice, 1400–1600 793 by Antonio Lombardi, cast by Alessandro Leopardi), the fountains in the court of the Doge’s Palace ...
794 wolfgang wolters of the long-nurtured literary “Venice myth” and alluded to the responsibil- ities of the council. the newly ...
art in venice, 1400–1600 795 (1571) was promptly celebrated in a battle scene (burned in 1577) by tin- toretto. At the same time ...
796 wolfgang wolters Maggior consiglio (the “outcomes of the armed conflicts”). Veronese’s insertion of the French king Henry ii ...
art in venice, 1400–1600 797 with Fides, the christian faith, appearing in the smoke that is ascending to heaven. inscriptions o ...
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