Medieval France. An Encyclopedia

(Darren Dugan) #1

——. Guillaume de Machaut: Musikalische Werke, ed. Friedrich Ludwig. 4 vols. Leipzig:
Breitkopf and Härtel, 1926–54.
——. Polyphonic Music of the Fourteenth Century, ed. Leo Schrade. Monaco: L’Oiseau-Lyre,
1956, Vols. 2–3: The Works of Guillaume de Machaut.
——. Guillaume de Machaut: Le jugement du roy de Behaigne and Remede de Fortune, ed. and
trans. James I.Wimsatt, William W.Kibler, and Rebecca A.Baltzer. Athens: University of
Georgia Press, 1988.
——. The Judgment of the King of Navarre, ed. and trans. R. Barton Palmer. New York: Garland,
1988.
——. Le confort d’ami, ed. and trans. R.Barton Palmer. New York: Garland, 1992.
Avril, François. Manuscript Painting at the Court of France: The Fourteenth Century. New York:
Braziller, 1978.
Brownlee, Kevin. Poetic Identity in Guillaume de Machaut. Madison: University of Wisconsin
Press, 1984.
Calin, William. A Poet at the Fountain: Essays on the Narrative Verse of Guillaume de Machaut.
Lexington: University of Kentucky Press, 1974.
Cerquiglini, Jacqueline. “Un engin si soutil”: Guillaume de Machaut et l’écriture au XIVe siècle.
Paris: Champion, 1985.
Earp, Lawrence. Guillaume de Machaut: A Guide to Research. Forthcoming.
Guillaume de Machaut: poète et compositeur. Paris: Klincksieck, 1982.
Huot, Silvia. From Song to Book: The Poetics of Writing in Old French Lyric and Lyrical
Narrative Poetry. Ithaca: Cornell University Press, 1987.
Imbs, Paul. Le Voir-dit de Guillaume de Machaut: étude littéraire. Paris: Klincksieck, 1991.
Leech-Wilkinson, Daniel. Machaut’s Mass: An Introduction. Oxford: Clarendon, 1990.
Machabey, Armand. Guillaume de Machaut: La vie et l’œuvre musicale. 2 vols. Paris: Richard-
Masse, 1955.
Poirion, Daniel. Le poète et le prince: l’évolution du lyrisme courtois de Guillaume de Machaut a
Charles d’Orléans. Paris: Presses Universitaires de France, 1965.


MACROBIUS, INFLUENCE OF


. The commentary by the early 5th-century Latin grammarian Macrobius on the Somnium
Scipionis from Cicero’s De republica (Book 6) was one of the most pervasive texts for
the transmission of Platonist ideas into the Middle Ages. Itself strongly influenced by
Plato and Plotinus, Macrobius’s text considers the world as three main Ideas: the Good
(or the One, Tagathen), the Intelligence (Nous), and the Soul (Psyche). The Soul contains
all individual souls, which descend into bodies made of matter (hyle), separating
themselves from the First Cause and losing memory of their origins. They can return to
the Soul only by the exercise of four sorts of Virtues: political, purifying, contemplative,
and exemplary.
Christian theology has always been strongly attracted by Platonist views, and a
number of heresies have been merely the incorrect weighting of the division between
body and soul as good and bad, which Platonism contends. But the Platonism was rarely
direct from the source. In the Middle Ages, as especially in the strong Platonism of the
12th-century Chartrians, the ideas came through Chalcidius’s translations of parts of the


The Encyclopedia 1087
Free download pdf