Key Figures in Medieval Europe. An Encyclopedia

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Diana’s Hunt: Caccia di Diana—Boccaccio’s First Fiction, ed.
and trans. Anthony K. Cassell and Victoria Kirkham. Phila-
delphia: University of Pennsylvania Press, 1991.
Eclogues, trans. Janet Levarie Smarr. New York: Garland,
1987.
The Elegia di Lady Fiammetta, trans. Mariangela Causa Steindler
and Thomas Mauch. Chicago, Ill.: University of Chicago
Press, 1990.
The Fates of Illustrious Men, trans. and abridged Louis Brewer
Hall. New York: Ungar, 1965.
Il Filocolo, trans. Donald Cheney with the collaboration of
Thomas G. Bergin. New York: Garland, 1985.
[Il Fibcolo, extract.] Thirteen Most Pleasant and Delectable
Questions of Love, trans. H. G. London, 1566. (Rev. ed.,
Harry Carter, New York: Potter, 1974. (“H. G.” may be Henry
Grantham.)
Il Fibstrato, ed. Vincenzo Pernicone, trans. Robert P. ap Roberts
and Anna Bruni Seldis. New York: Garland, 1986.
The Fibstrato, trans. Nathaniel Edward Griffi n and Arthur Beck-
with Myrick. Philadelphia: University of Pennsylvania Press,



  1. (Reprint, New York: Octagon, 1970.)
    [Il Filostrato.] The Story of Troilus (Filostrato), trans. Robert Kay
    Gordon. London: Dent, 1934. (Reprint, Toronto: University
    of Toronto Press, 1978.)
    Life of Dante, trans. James Robinson Smith. In The Earliest
    Lives of Dante. New York: Holt, 1902. (Reprint, Norwood,
    Pa.: Norwood Editions, 1976.)
    The Life of Dante (Trattatello in laude di Dante), trans. Vincenzo
    Zin Bollettino. New York: Garland, 1990.
    The Nymph of Fiesole, trans. Daniel J. Donno. New York: Co-
    lumbia University Press, 1960.
    Nymphs of Fiesole (Ninfale fi esolano), trans. Joseph Tusiani.
    Rutherford, N.J.: Fairleigh Dickinson University Press,


  2. Theseid of the Nuptials of Emilia, trans. Vincenzo Traversa. New
    York: Peter Lang, 2002.




Boccaccio Bibliographies
Consoli, Joseph P. Giovanni Boccaccio: An Annotated Bibliog-
raphy. New York: Garland, 1992.
Esposito, Enzo, with the collaboration of Christopher Kleinhenz.
Boccacciana: Bibliografi a delle edizioni e degli scritti critici
1939–1974. Ravenna: Longo, 1976.
Studi sul Boccaccio. 1963–. (Contains bibliographic updates.)
Traversari, Guido. Bibliografi a boccaccesca. Città di Castello:
S. Lapi, 1907.


Criticism: General
Barolini, Teodolinda. “Giovanni Boccaccio.” In European Writ-
ers: The Middle Ages and the Renaissance, ed. William T.
Jackson. New York: Scribner, 1983, Vol. 2, pp. 509–534.
Bergin, Thomas G. Boccaccio. New York: Viking, 1981.
Boccaccio 1975: Secoli di vita—Atti del Congresso Internazio-
nale, Boccaccio 1975, ed. Marga Cottino-Jones and Edward
Tuttle. Ravenna: Longo, 1978.
Branca, Vittore. Boccaccio: The Man and His Works, trans. Rich-
ard Monges. New York: New York University Press, 1976.
de’ Negri, Enrico. “The Legendary Style of the Decameron.”
Romanic Review, 43, 1952, pp. 166–189.
Hollander, Robert. Boccaccio’s Two Venuses. New York: Colum-
bia University Press, 1977.
Lee, A. Collingwood. The Decameron: Its Sources and Ana-
logues. London: David Nutt, 1909.
Serafi ni-Sauli, Judith Powers. Giovanni Boccaccio. Boston,
Mass.: Twayne, 1982.


Smarr Janet L. Boccaccio and Fiammetta: The Narrator as Lover.
Urbana: University of Illinois Press, 1986.
Criticism: Decameron
Almansi, Guido. The Writer as Liar: Narrative Technique in the
Decameron. London: Routledge and Kegan Paul, 1975.
Cottino-Jones, Marga. Order from Chaos. Washington, D.C.:
University Press of America, 1982.
Dombroski, Robert, ed. Critical Perspectives on the Decameron.
London: Hodder and Stoughton, 1976.
Fido, Franco. “Boccaccio’s Ars Narrandi in the Sixth Day of
the Decameron.” In Roots and Branches: Essays in Honor
of Thomas G. Bergin, ed. Giose Rimanelli and Kenneth John
Atchity. New Haven, Conn.: Yale University Press, 1976,
pp. 225–242.
Forni, Pier Massimo. Forme complesse nel Decameron. Florence:
Olschki, 1992.
——. Adventures in Speech: Rhetoric and Narration in Boccac-
cio’s Decameron. Philadelphia: University of Pennsylvania
Press, 1996.
Greene, Thomas. “Forms of Accommodation in the Decameron.”
Italica, 45, 1968, pp. 297–313.
Hollander, Robert. “Utilità in Boccaccio’s Decameron.” Studi sul
Boccaccio, 15, 1985–1986, pp. 215–233.
——. Boccaccio’s Dante and the Shaping Force of Fiction. Ann
Arbor: University of Michigan Press, 1997.
Kirkham, Victoria. “Love’s Labors Rewarded and Paradise Lost.”
Romanic Review, 72, 1981, 79–93. (Day 3.)
——. “An Allegorically Tempered Decameron.” Italica, 62,
1985a, pp. 1–23.
——. “Boccaccio’s Dedication to Women in Love.” In Renais-
sance Studies in Honor of Craig Hugh Smyth, ed. Andrew
Morrogh et al. Florence: Giunti Barbera, 1985b, Vol. I, pp.
333–343.
Lessico critico decameroniano, ed. Renzo Bragantini and Pier
Massimo Froni. Turin: Bollati Boringhieri, 1995.
Marcus, Millicent. An Allegory of Form: Literary Self-Conscious-
ness in the Decameron. Stanford French and Italian Studies,


  1. Saratoga, Calif., 1979.
    Mazzotta, Giuseppe. The World at Play in Boccaccio’s Decam-
    eron. Princeton, N.J.: Princeton University Press, 1986.
    Musa, Mark, and Peter Bondanella, eds. The Decameron: 21
    Novelle, Contemporary Reactions, Modern Criticism. New
    York: Norton, 1977.
    Olson, Glending. Literature as Recreation in the Later Middle
    Ages. Ithaca, N.Y.: Cornell University Press, 1982.
    Scaglione, Aldo D. Nature and Love in the Late Middle Ages: An
    Essay on the Cultural Context of the Decameron. Berkeley:
    University of California Press, 1963.
    Smarr, Janet. “Symmetry and Balance in the Decameron.” Me-
    dievalia, 2, 1976, pp. 159–186.
    Wallace, David. Giovanni Boccaccio: Decameron. Cambridge:
    Cambridge University Press, 1991.
    Janet Levarie Smarr


BOETHIUS DE DACIA (13th century)
Boethius de Dacia was a Danish philosopher active at
the University of Paris in the 1270s. “Boethius” is a
latinization of the Nordic name “Bo.” Because of a mis-
interpretation of the epithet “de Dacia/Dacus” = “from
Denmark,” some scholars have called him “Boethius of
Sweden.” Nothing is known about Boethius’s life except

BOETHIUS DE DACIA
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