INDEXpoet, 154–156
works, 155–156
Czech nation, Wenceslas IV, 664
D
Daddi, Bernardo, 157
frescoes, 157
Gaddi, Taddeo, 157
miniaturist tendency, 157
painter, 157
popularization of triptych in Florence, 157
San Pancrazio Polyptych, 157
workshop, 157
D’Ailly, Pierre, 158
author, 158
Church reformer, 158
Dala ̄lat al-ba ̄’irıı ̄n (Guide for the Perplexed) (Maimonides),
434
Damian, Peter, 158–159
author, 158–159
Church reformer, 158–159
diplomatic missions, 158–159
Liber gratissimus, 159
reform synods, 159
writings, 158, 159
Daniel the Abbot, 159–160
earliest Russian travel writer, 159
Daniel von dem Blühenden Tal (der Stricker), 610–611
Dante Alighieri, 95, 117, 118, 160–166, 161, 279, 280, 432,
649
active opponent of intrusions by papacy, 162
Antonio Pucci, 42
Beatrice, 161
Boccaccio, Giovanni, 81, 82–83, 84, 166
Bonagiunta Orbicciani Degli Averardi, 87–88
Brunetto Latini, 160, 163, 165
Cavalcanti, Guido, 111, 161, 163
Chaucer, Geoffrey, 132
Cino da Pistoia, 141, 142
Convivio (The Banquet), 162, 163
De vulgari eloquentia, 163
defense of Italian vernacular, 163
Divine Comedy, 160, 162, 163, 164–166
appropriation of Christian salvation, 166
canticle, 164
cantos, 164
central encounter of each book around father fi gure, 165
disabused of false notions, 164
dominated by spiritual brotherhood, 165
ensemble of cross-references and mutual commentary,
165
exile, 165
gods that failed, 164
in hell imposing and memorable characters, 164–165
heroic paideia (ultimate education), 165
humankind’s innate purpose to return to God, 166
impending tragedy, 165
Inferno structure, 164
Paradiso structure, 164
Paradiso transcendent, 165
Purgatorio as canticle of stringent exclusions, 165
Purgatorio has central motif of pilgrimage, 165
Purgatorio structure, 164
recognition, 166
rejection of Virgil, 165
spirit of Virgil, 164
study of individual cantos, 164
tragedy of history, 165
triptych controlling central cantos of each canticle, 165
visit to underworld, 164
in exile, 162–163, 166
Francesco d’Accorso, 221
Francis of Assisi, Saint, 222
funeral, 166
Giotto di Bondone, 255
Giovanni del Virgilio, 257–258
Guinizzelli, Guido, 161, 283
Guittone D’Arezzo, 284, 285
Henry VII, Emperor, 162, 163
Immanuel Romano, 346–347
incarnationist, 166
initiating Renaissance tradition of long poem, 160
intellectual, 163–164
invented canticle, 164
invented canto, 164
involvement in political affairs of commune, 161
member of guild of physicians and apothecaries, 161–162
Monarchia (Monarchy), 162, 163
moral philosopher, 162
new poetic style, 161
Nicholas III, Pope, 479
Petrarca, Francesco, 517, 518, 519
philosopher, 163–164
Pier della Vigna, 532
prophecy of entirely new literary culture, 163
public fi gure, 160
Remigio dei Girolami, 561
secular authority’s place, 162–163
secularism vs. theocracy, 162–163
sheltered in exile by Cangrande della Scala, 103
transforming epic tradition, 160
vernacular enhanced through imitation of ancients, 163
Vita nuova (New Life), 161, 163
writer, 160–166
Das fl ießende Licht der Gottheit (The Flowing Light of the
Godhead) (Mechthild von Magdeburg), 463–464
Das Leben Jesu (Life of Jesus) (Frau Ava), 227
d’Avanzo, Jacopo, 31, 32
David von Augsburg, 75, 168
Franciscan, 168
preacher, 168
teacher, 168
theologian, 168
De amore Dei contra amatores mundi (Richard Rolle of
Hampole), 576–577
De amore (or De arte honeste amandi) (Andreas Capellanus),
35
De Anima (Averroès), 53
De arca mystica (Richard of Saint-Victor), 568
De arte metrica (Bede the Venerable), 61