2019-01-01_Discover

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FROM TOP: RMN-GRAND PALAIS (MUSÉE NATIONAL PICASSO-PARIS); JOHN DELANEY, NATIONAL GALLERY OF ART, WASHINGTON AND KEIKO IMAI, POLA MUSEUM OF ART, JAPAN; POLA MUSEUM; DELANEY; ART GALLERY OF ONTARIO (2); RMN-GRAND PALAIS (2)

Light Show


In some cases, researchers hoping to discover something new must borrow technology from a seemingly unrelated
ield. John Delaney, a physicist working at the National Gallery of Art in Washington, D.C., knows this as well as
anyone. Working with other physicists, as well as chemists and conservators, the senior imaging scientist has been
using spectroscopy to probe famous artwork.
This new kind of research is non-destructive, so it conserves existing paintings and sculptures for future
generations while revealing secrets about their provenance. Some of the insights he gained
into the works of Pablo Picasso this year illustrate the kind of art inds we
can expect in the future.

CHEMISTRY

& PHYSICS

Physicists rediscover lost arts and useful materials. BY STEPHEN ORNES


The same team
also used X-rays
to analyze 39
sculptures from the
Picasso Museum,
in Paris, identifying
the mix of metals
within and even
tracking them to
particular foundries.

Researchers collaborating with Delaney on La
Miséreuse accroupie (The Crouching Beggar) revealed
that, in another case of recycling, the Spanish artist
painted over an existing canvas, this one containing
another painter’s work. The scientists could see both
the previous painting and how Picasso incorporated it
into his work.

In April, Delaney studied Mother and Child by the
Sea, Picasso’s 1902 painting. Near-infrared imaging
revealed the unmistakable shapes of letters in newsprint
lurking behind the paint, originating from a 1902 issue
of Le Journal. It conirmed the date of the painting and
suggests Picasso covered a canvas he’d previously painted
on with newspaper before starting a new painting.

Mother and Child by the Sea,
oil on canvas, 1902 Hidden painting

The Crouching Beggar,
oil on canvas, 1902

Tête de femme (Mougins), cast-iron sheet, polychrome,
Tête de femme (Fernande), bronze, 1909; elemental analysis 1962; infrared scanner

Hidden painting

Traces of 1902
newspaper
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