THE HOLLYWOOD REPORTER 26 JANUARY 2020 AWARDS 1
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But her gamble paid off. The R-rated Warner
Bros. project, which stars Joaquin Phoenix as
loner Arthur Fleck as he becomes Gotham’s
psychopathic criminal mastermind, has
nabbed the most Oscar nominations of the
year (11 nods, including best picture, best
director and best actor) and has earned more
Joker
Joaquin Phoenix delivers an intense, at times disturbing
performance in Todd Phillips’ thriller that examines the origins
of Gotham City’s criminal mastermind BY AARON COUCH
than $1 billion globally. In the midst of a busy
awards season, Koskoff is already prep-
ping her next film, Scorsese and Leonardo
DiCaprio’s Killers of the Flower Moon, and jug-
gling campaign duties on The Irishman as well.
But she took some time to talk with THR about
the most stressful moments on the Joker set,
the prospect of a sequel and why Scorsese still
hasn’t seen the movie.
Knowing what Joaquin Phoenix went through
on the role, what did his Golden Globes speech
mean to you?
EMMA TILLINGER KOSKOFF From day one of
principal photography, I literally was like,
“This is the most extraordinary acting I have
ever had the privilege of watching up close on
the day.” I was mesmerized for the 57 days of
shooting that followed. I was sort of glossed
over, watching him up there, because I was so
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“With the comic book universe completely exploding,
I thought it would be just another standard iteration.
Then I read the script.” ZAZIE BEETZ
E
mma Tillinger Koskoff has built
a reputation as Martin Scorsese’s
right hand, working her way up
from an assistant on 2004’s The
Aviator to sharing a 2020 Oscar
nomination with the filmmaker for The
Irishman. But just four days after ending a 108-
day shoot on the director’s Netflix film, Koskoff
found herself in a scouting van with Todd
Phillips, taking a leap of faith with another
director. Joker may not have seemed like a
natural move for Koskoff, who hadn’t kept up
with comic book films since working as Uma
Thurman’s assistant on Batman & Robin more
than 20 years earlier — and who had never
produced a movie not directed by Scorsese.