Aw ar d s S p e c i a l
THE HOLLYWOOD REPORTER 2 JANUARY 2020 AWARDS 1
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Best Picture
12 Echoing a Madman’s
State of Mind
For Todd Phillips’ Joker, supervising
sound editor Alan Robert Murray
based his choices on the unraveling
of Arthur Fleck.
17 Best Picture
What does it take to become a best
picture nominee? The producers
behind the nine films vying for the
top prize reveal untold stories
from their sets, their biggest hurdles
and thoughts on the season’s most
controversial events.
36 Living on The Edge
Brazilian director Petra Costa,
earning her first career Oscar
nomination, explains why Americans
should view her Netflix documen-
tary The Edge of Democracy as a
warning shot.
38 Personal Conflict on a
Global Scale
Class warfare and culture clashes
fuel the emotional fires at the center
of the international film race, with
five films telling universal and explo-
sive stories.
Simply the best!
Top row, from left:
1917 , Ford v Ferrari
and The Irishman;
middle row, from left:
Jojo Rabbit, Joker
and Little Women;
bottom row, from
left: Marriage
Story, Once Upon a
Time in Hollywood
and Parasite.
17
8 Female Artists and the
‘Club of Geniuses’
With Little Women, one of two
films capturing artistic gender bias
onscreen, Greta Gerwig, like author
Louisa May Alcott before her, “seeks
to expand our notions of which sto-
ries deserve to be told.”
10 A Post-Nomination Boost
for Some, Blues for Others
While the snubbed lick their wounds
after the noms, THR’s awards analyst
surveys the latest moves affecting
contenders’ fates.