Questions 299–303 are based on the following passage.
The following passage describes the transition from the swing era to bebop in
the history of jazz music.
Jazz, from its early roots in slave spirituals and the marching bands of
New Orleans, had developed into the predominant American musical
style by the 1930s. In this era, jazz musicians played a lush, orchestrated
style known as swing. Played in large ensembles, also called big bands,
swing filled the dance halls and nightclubs. Jazz, once considered risqué,
was made more accessible to the masses with the vibrant, swinging
sounds of these big bands. Then came bebop. In the mid-1940s, jazz
musicians strayed from the swing style and developed a more improvi-
sational method of playing known as bebop. Jazz was transformed from
popular music to an elite art form.
The soloists in the big bands improvised from the melody. The
young musicians who ushered in bebop, notably trumpeter Dizzy Gille-
spie and saxophonist Charlie Parker, expanded on the improvisational
elements of the big bands. They played with advanced harmonies,
changed chord structures, and made chord substitutions. These young
musicians got their starts with the leading big bands of the day, but dur-
ing World War II—as older musicians were drafted and dance halls
made cutbacks—they started to play together in smaller groups.6 Music
(1)
(5)
(10)
(15)