- chapter 17: Etruria Marittima –
84 González de Canales, Serrano Pichardo, Llompart Gomez 2004: for the impasto of Villanovan
type, Fig. p. 98–99, pl. LIX.10–11; for the ceramics of Sardinia, Fig. pp. 100–105; Botto,
Vives-Ferrándiz 2006, Fig. 4.
85 Niemeyer 1995; for the interpretation of Mainake in a historic period, favorable to Greek
Commercial enterprises, see Gran-Aymerich 1990; Gran-Aymerich et al. 1991, 136–139.
86 Mansel 1998.
87 For the Etruscan fi nds at Malaga and those of Cerro del Villar: Gran-Aymerich et al. 1991,
128–134; Gran-Aymerich 1994, with bibliography; Aubet Semmler 2007. For the kantharoi
in bucchero and grey monochrome ware from Marseille: Gran-Aymerich 1998, 2006b, 2004,
2006a, pl. Id-e.
88 Gran-Aymerich et al. 1991, pl. IV, Fig. 97; Gran-Aymerich 2008a, Fig. 6.
89 Gran-Aymerich et al. 1991, pl. III; Gran-Aymerich 2006b, Fig. 8; 2008a, Fig. 5; Colonna
2006a, Fig. 5.
90 Haffner 1976, 147–148, pl. 9.2.
91 Colonna 2006a, Fig. 2; Botto, Vives Ferrándiz 2006, Fig. 11; Gran-Aymerich 2008a, Fig. 4,
and 2009a, Fig. 2; Bardelli, Graells 2012, 25, Fig. 1–3.
92 On the earliest fondachi of Venice, the etymology of the term, and the origins of such a
commercial “stop-over” location protected according to the oriental model of the mercantile
storage unit (the pandokeion of Greeks in the East): Concina 1997, 9–20. On the Phoenician
model of the enoikismoi (Italian “‘fondachi’”): Niemeyer 1990, 1995, 1999, 158 and 2005. Also
Gras et al. 1989, 105–115; Aubet Semmler 1994, 87–94.
93 Gantès 2006, 195, Fig. 72, no 32; Briquel, Gantès, Gran-Aymerich, Mellinand 2006; Gran-
Aymerich 2009a; Catalogue Marseille 2013, 174, Fig. no 51.
94 Aquilué, Castanyer, Santos, Tremoleda 2006.
95 Castanyer, Santos 2007, Fig. p. 57, “petita granota de bronze ... trobat a Sant Marti
d’Empuries”; Bardelli, Graells 2012, p. 32, Fig. 15.
96 Gran-Aymerich 2008a, Figs 8–9, and 2009a, Figs 5–6
97 Sanmartí 1993; Gran-Aymerich 2008a, Fig. 7, and 2009a, Fig. 7.
98 Castanyer, Santos 2007, Fig. p. 57, “procedeix de l’anomenada Tomba Cazurro”.
99 Catalogue Paris 1992a, 259, no 300, col. pl. p. 177; Almagro-Gorbea 1992; Gran-Aymerich
2006b, Fig. 14.
100 Bouloumié 1982; Gran-Aymerich 2009a, 28–29.
101 Py 2009; Py, Garcia 1993; Py, Lebeaupin, Sejalon, Roure 2006.
102 For the amazing deposit of Etruscan vases: Arribas Palau, Trías de Arribas 1961. For the
presence of a bronze attachment of an Etruscan stamnos-situla: Gran-Aymerich 2006c,
Fig. 13; Botto, Vives-Ferrándiz 2006, Fig. 59; Bardelli, Graells 2012, 33, Fig. 16. For the
presence of vases inspired by Etruscan forms: Donati 1991. For the presence of a vase by the
Micali Painter: Bruni 2007.
103 Arribas Palau, Trías de Arribas 1961. On this subject see: Catalogue Paris 1992a, Fig. p. 176,
259–260, no 301–303; Gran-Aymerich 2009a, 21.
104 Fernández Jurado, García Sanz 2001, Fig. 7.
105 Gran-Aymerich et al. 1991, map Fig. 2–3.
106 Niemeyer et al. 1988, 169, Fig. 9.g, 134, Fig. 6.e; Gran-Aymerich, Andérica 2000.
107 Niemeyer 1995; for an interpretation as a prestige residence with similar function to Cancho
Roano: Almagro-Gorbea et al. 1990. See also: Celestino Pérez 2001; Dies Cusi 2001. For the
oriental origins: Kochavi 1998.
108 Gran-Aymerich et al. 2001, Figs 4–5; Gran-Aymerich 2008a, 91–94 and 2009a, 29–30.
109 Aubet Semmler et al. 1999.
110 Pallottino 1963; Heurgon 1993; Gras 2000; Fantar 2000; and more in MAXH 2000.
111 Pallottino 1963; Heurgon 1965b; Scardigli 1991; Colonna 2007.
112 Wikander 2008.