century is overwhelming. It occurs in Denmark on a major piece of church furniture,
the twelfth-century Lisbjerg altar, while in the Scandinavian settlements abroad it
survives in a modified form in Ireland, at least until the 1130 s and probably later
(Wilson and Klindt-Jensen 1966 : 160 ). In Scandinavia however it survives in a less
vital manner and in a less pure form, largely due to the introduction from abroad of the
first major international style – the Romanesque – to be received in its entirety into the
north.
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–– chapter 24: The development of Viking art––