to me today, as does women’s intelligence and how
capable and creative they are.”
Not surprisingly, the Morning Wars crew has many
cool ladies both in front of and behind the camera.
“There are a lot of women running this show,” Aniston
says of the team, “and it moves really smoothly.” They
include showrunner Kerry Ehrin and trailblazing
director Mimi Leder. Still, the shift to Apple TV+ was an
adjustment for Aniston. Friends, which debuted 25 years
ago in September, was a breeze in comparison. “To me, a
TV series used to mean a studio audience and five cameras.
I got in at 10 and was out by five,” she recalls. “[Morning
Wa r s] was like doing two films back-to-back over seven
months. After a full day of shooting, I’d go home and keep
working, looking at cuts, weighing in on casting for the next
week, preparing for the next day’s work. When the show
wrapped, I crawled into my bed for a solid week.”
Pushing herself out of her comfort zone wouldn’t
have been possible without the help of Aniston’s loyal
and supportive assistants, glam squad and fashion aides,
all of whom have been with her for 10 years or more. In
shaping her character’s look, she brought in her secret
weapons: twin-sister stylists Nina and Clare Hallworth.
“We went with beautifully tailored men’s fabrics in shades
of grey, blue and brown. It was a conscious decision not
to be in canary yellow or fuchsia or cobalt blue,” Aniston
says. Her inspiration for Alex? None other than Diane
Sawyer, the legendary TV journalist renowned for her
skills and style. Aniston sighs just thinking about the
icon. “I’ve known Diane for years, and I had the joy of
getting to pick her brain when I was doing research for
the show. Diane’s always been so elegant and classy.”
If that seems like a lot to unpack, that’s because it is.
By Aniston’s own admission, her role on Morning Wars
is her most complex to date. She plays Alex Levy, the
ambitious co-host of a television news program who
confronts the sexism, ageism and other “isms” foisted
onto her by a troubled male co-host (Steve Carell), her
network’s male executives, and, in some respects, herself.
“Alex’s sell-by date expired long ago, and she’s trying
to stay relevant,” says Aniston, whose research included
going behind the scenes at Good Morning America
at 5am to get a sense of the matrix.
Remarkably, the Aniston-Witherspoon pitch
meeting occurred before #MeToo revelations rocked
the entertainment industry. “The show was always
about the abuse of power, and women and sexism. We
sold it in the summer, and then Harvey [Weinstein]
happened in the fall,” Aniston says. The allegations
against CBS This Morning anchor Charlie Rose and
the Today show’s Matt Lauer came next. “[We] were
like...‘The show is writing itself.’ It was as if the
universe were begging for this patriarchal
society to be exposed. It’s crazy.”
Aniston hopes that the show, which
delves into the grey areas of #MeToo,
will also inspire deeper conversation
about the norms of the workplace. And
the dialogue should not just be limited to
men either. The reckoning affects all of
us. “There’s a new playbook that’s being
written in real time, and this show looks
at how we’re finally taking steps to
acknowledge and dismantle the old,
dysfunctional ways of doing business
so we can level the playing field.”
The role of Alex is made all the more
interesting given Aniston’s most recent milestone. This
past February she turned 50, an age that was once a career
killer for even the biggest female stars. (Can you imagine
banishing Aniston—or other 1969 babies including Gwen
Stefani, Cate Blanchett, Ellen Pompeo and Jennifer
Lopez—just because of a birthday?)
“Fifty was the first time I thought, ‘Well, that number,’”
Aniston says. “I don’t know what it is because I don’t feel
any different. Things aren’t shutting down in any way.
I feel physically incredible. So it’s weird that it’s all of
a sudden getting telegraphed in a way that’s like, ‘You
look amazing for your age.’ I think we need to establish
some etiquette around that dialogue and verbiage.”
Aniston admits that, if anything, she feels more
in control than ever. “Women were never allowed
to have power,” she says bluntly. “Power feels sexy
“POWER FEELS SEXY TO
ME TODAY, AS DOES
WOMEN’S INTELLIGENCE
AND HOW CAPABLE AND
CREATIVE THEY ARE”
JANUARY 2020 INSTYLE 71