The Rough Guide to Psychology An Introduction to Human Behaviour and the Mind (Rough Guides)

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YOUR BRAIN

and deeply involved in our latest dreamy adventure there’s a kind of
paralysis mechanism that makes sure we don’t accidentally get up to any
real-life mischief. It does this by blocking the signals that go from the
brain to our muscles (there are a few exceptions – such as those used for
breathing and the signal that leads to early-morning erections!). But this
paralysis mechanism can go awry, occasionally with tragic consequences.


The meaning of dreams


Contrary to popular wisdom, dreams occur during both REM and
non-REM sleep but in the latter case they are usually shorter, and less
vivid and intricate. When we’re in a dream, we usually think it’s real. On
rare occasions we have a “lucid dream”, which is when we’re in a dream
and we know it, in some cases with the ability to deliberately control
the fantasy that unfolds.
Science still hasn’t solved the mystery of why we dream. Psychologists
are divided between those who see dreaming as a meaningless side
effect of sleep and those who believe dreams are connected to our
waking lives in some meaningful way. In line with common experience,
research has confirmed that what we get up to when we’re awake can
affect the content of our dreams – what Freud dubbed “day-residue”.
What’s more contentious is whether the content of your dreams
reveals anything significant about you and your desires that would
remain hidden if it weren’t for the dream. Freud, rather famously,
believed that dreams provide the “royal road to the unconscious” and
that decoding the symbolism
in dreams can reveal a
person’s hidden wishes. By
contrast, some contempo-
rary experts have proposed
that dreams occur when the
brainstem randomly stimu-
lates memories and that
these stirrings are trans-
lated into a semi-coherent
narrative by the cortex. By
this account, dreams are
the subjective consequence
of haphazard physiological
events and any attempts to
extract deeper meaning from
them amounts to little more
than wishful thinking on the
part of the interpreter. Henry Fuseli’s The Nightmare (c.1790).
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