NYT Magazine - March 22 2020

(WallPaper) #1
SPELLING BEE

Opulent (3 points). Also: Elope, lento, lepton, letup,

lotto, loupe, lunette, nettle, outlet, outpoll, pellet, peloton,

people, pollen, pollute, pullet, pullout, topple, tulle,

tunnel. If you found other legitimate dictionary words in

the beehive, feel free to include them in your score.

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Answers to puzzles of 3.15.20


Answers to puzzle on Page 52


three dishes and Instagrammed it,’’ a former
employee says.

On a recent Thursday morning, I followed a
trail of curvy white W’s painted along a Wil-
liamsburg sidewalk up to the entrance of the
Wing’s newest club. In the elevator, I witnessed
a real-life Winglet meet-cute: One woman read
auras for GOOP; the other made $45 soaps for
GOOP; they bonded over a healer they both
knew. An eager young Wing employee met me
at the front desk, and then I headed into the
pink belly of the club, where Audrey Gelman
was waiting for me.
Gelman wore a golden Wing necklace and
an inviting smile. Flanked by the Wing’s senior
vice president for operations and an outside
public-relations professional, she listened to
the accounts of her employees and nodded
thoughtfully. Despite their intention to build
a women’s utopia, she acknowledged, the ills
of society at large had seeped in. ‘‘It’s hard to
hear that people have had this experience,’’ she
said. ‘‘These are familiar themes for us.’’ Every
employee concern, she assured me, had already
been incorporated into a sweeping business
recalibration. Even as it expanded, the Wing was
overhauling its organizational structure, raising
wages, extending benefi ts and instituting a code
of conduct for members which, if violated, could
result in the ‘‘clipping of wings’’ — termination
of membership.
Gelman reiterated an article published on Feb.
26 in Fast Company, in which she wrote that she
had tried to play the role of the perfect ‘‘girlboss,’’
promoting the ‘‘fantasy’’ that a female founder
could ‘‘have it all.’’ But behind the scenes, she

wrote, her ‘‘fear of failure’’ had led her to obscure
the ‘‘real challenges’’ unfolding at the Wing.
Wing workers, who had for years raised those
very issues internally, wondered why the Wing
only seemed to acknowledge them as members
spoke up and journalists circled. But when Gel-
man posted her mea culpa on Instagram, glowing
reviews fl ooded into the comments: ‘‘So import-
ant.’’ ‘‘I didn’t know I could love and admire you
even more.’’ ‘‘Bravo.’’ Whatever improvements
might be in store for its employees in the future,
the Wing had already successfully fi xed the fl aw
in its public reputation.
As the start-up world has reeled from the
dizzying falls of toxic male founders like Uber’s
Travis Kalanick and WeWork’s Adam Neumann,
it has set its sights on a new kind of hero fi g-
ure. Female entrepreneurs are paraded in the
press as saviors of the market, even though they
still receive relatively paltry sums from ven-
ture-capital fi rms. In their hands, the tensions of
capitalism may be laundered through feminist
messaging and come out looking bright and
new. At the very least, corporate feminism can
be defended as an incremental good. Yes, it may
co-opt a political movement for profi t, but it is
moving the levers of capitalism for the benefi t
of women, tailoring products for female con-
sumers and transferring cash into the coff ers
of women leaders.
When these women inevitably fail to secure
female empowerment through retail off erings
and exclusive hospitality experiences, it is sug-
gested that it is perhaps sexist to criticize them.
Men get away with so much. And yet this out-
pouring of sympathy rarely extends beyond the
executive suite. When a feminist company falls
short of its utopian vision, it is the workers who
must toil to maintain the illusion. And they are
women, too.

53

Wing
(Continued from Page 27)

Fill the grid with digits so as not to repeat a digit in any row or column, and so that the digits within each heavily outlined
box will produce the target number shown, by using addition, subtraction, multiplication or division, as indicated in the box.
A 5x5 grid will use the digits 1–5. A 7x7 grid will use 1–7.

KENKEN


ABBA I CU SCADS APCALC
DE ED FOP OAKEN HOORAH
AL LHA I LHAL LAL E ARMAN I
GL I DE L I BE L GAG KANYE
EYE I TALO RAKED CAF
BOOB L URR E DB L U E B I RD
DE PAUL TEAPOY BRANDO
IMAN I CE IMO E L I T I SM
SONE RVOUSNOS E RV I C E
UTE DENCH NEMEAN AXE S
SERRA CHAN DENS HUEVO
ESAU WARRED NOI RE DEW
STEVEDORED I VASTORE
SALT I NE PAT RED OUST
AG E I S T AG ENT S I DOTOO
DUTCHTOWNTOUCHDOWN
TIM OREOS RAISE SPF
ALEUT REC STONY EMCEE
L E TT E R BCHORDKE YBOARD
ERRATA I HOPE I RE ONCE
SAYHEY T I PSY ESP STYX

READY, SET ... GETS LOW!


ACROSTIC


A. Cab Calloway
B. Unearthly
C. Sleepyhead
D. Katydids
E. Disbelief
F. Real McCoy
G. Icelandic
H. Valiant
I. Inference

J. Nineties
K. Golden
L. Automatic
M. Standard
N. Motor City
O. Emissions
P. Tigers
Q. “Abbey Road”
R. Petty cash

S. Hipsterism
T. Obstacles
U. Rename

(RACHEL) CUSK, DRIVING AS METAPHOR — [A]
person traveling by bicycle feels an antipathy towards
cars, yet once inside a car can immediately become
irritated by cyclists, and as a pedestrian could dislike
them both, sometimes all in the course of a single day.


CRAZY EIGHTS TRIPLE TREASURE
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