ZBrush Character Creation - Advanced Digital Sculpting 2nd Edition

■ Advanced Techniques: Sculpting the Demon Beast 107

Figure 3.59 Placing a polysphere as the eyeball

Figure 3.60 Use the Move brush to conform the eyelids around the eyeball.

It is important to work over all views of the head at this stage and never take any one

point to completion. This approach keeps the sculpture unified and vibrant. If you work

one area too long, it becomes overworked and no longer “fits” with the rest of the sculp-

ture. You will have to work harder trying to make it match the rest of the character.