ZBrush Character Creation - Advanced Digital Sculpting 2nd Edition

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290 chapter 8 ■ ZBrush Movies and Photoshop Composites


point of the image in sharper focus than the
other regions (Figure 8.49). Instead of using the
eraser, which permanently alters the image, we
will use a layer mask.

Masks
In Photoshop, it is always best to use masks to remove
part of an image instead of erasing because the Eraser
tool destroys pixels while a mask only hides them
from view. You can always alter the mask if you
decide you need more clouds in an area.


  1. To create a mask, make sure the cloud layer is
    selected and choose Layer → Layer Mask →
    Reveal All. This will create a layer mask attached
    to the foreground clouds layer. Alternately you
    can select the Mask icon at the bottom of the
    Layer menu.

  2. The mask will appear as a white box next to
    the cloud layer. In Photoshop, white in a mask
    appears to be transparent and black appears
    opaque. Select the Paintbrush tool and the color
    black. Make sure the mask is selected by click-
    ing it once in the Layer menu. A small rectangle
    appears around the layer mask when it is active.

  3. Start painting on the image, and you will notice
    it makes the cloud layer disappear while the
    mask begins to show your black strokes. To
    restore the cloud area, just switch to white. If
    you want to view just your mask, Alt-click the
    mask icon in the Layer menu and your mask
    will become visible (Figure 8.50); to restore the
    regular document view, Alt-click the layer mask
    icon again. Paint out the clouds around the face
    and eyes as this is the center of interest. You can
    let them remain around the shoulders and ears.

  4. Add an overall noise layer by pasting an image of
    any random texture. This can be rusty metal, old
    paper, or even a rock face. Any natural surface
    with random patterns will suffice. The idea is to
    unify the image with a single layer of noise. Load
    the noise.psd file again from the DVD. Add
    this layer above all the others and set the blend-
    ing mode to Overlay. You will want to dial back
    the opacity to make the effect very subtle. You
    can also experiment with the soft light blending
    mode. This will create a more subtle effect and
    sometimes works better with some images.


Figure 8.49 Set the blending mode to Overlay and erase
in the face area.


Figure 8.50 Alt-click the mask icon in the Layer menu to
view your mask.

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