The Economist UK - 16.11.2019

(John Hannent) #1
The EconomistNovember 16th 2019 75

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I


t was 2009and Antakya, a city in south-
ern Turkey known in antiquity as Anti-
och, was thriving. Tourists were visiting it
in record numbers. Trade with neighbour-
ing Syria was booming. Sensing an oppor-
tunity, Necmi Asfuroglu, a local business-
man, decided to build an upmarket hotel
on land that he had owned since the 1990s.
The plot was only a few hundred metres
from the Grotto of St Peter, one of the
world’s oldest churches.
Before construction could start, a team
of archaeologists was called in to examine
the site. They excavated a broken amphora
here, a statue there, and almost everywhere
colourful mosaic pieces, spread across an
area of some 17,000 square metres. By the
time they had finished, they had unearthed
parts of what had once been the heart of
Antioch, one of the biggest cities of the Ro-
man empire. The finds included a bath-
house, a huge marble-floored forum, thou-
sands of artefacts and the world’s largest

floor mosaic.
With these discoveries, Mr Asfuroglu’s
plans went up in smoke. “We had to rethink
everything,” he says. Rather than walk
away from the project, he asked an Istanbul
architect, Emre Arolat, to design a struc-
ture that would accommodate both a mod-
ern hotel and an archaeological museum.
Construction began in 2010, but stopped
again for almost two years after workers
came across another dazzling mosaic, de-
picting a winged Pegasus attended by three
nymphs. It finally ended earlier this year.

Rooms with a view
For Mr Arolat, the challenge was to find an
architectural language that merged what
he calls the “sacred” of an archaeological
site and the “profane” of a business ven-
ture. For inspiration, he says, he looked to a
museum showcasing the medieval ruins of
a Norwegian town, designed by Sverre
Fehn, and the paths around the Acropolis

devised by Dimitris Pikionis. The result is a
hybrid that exemplifies how conservation
and commerce can profitably coexist.
From the outside, the “museum hotel”
that Mr Arolat designed resembles a steel
and glass Jenga tower lying on its side and
stacked with long rectangular blocks the
size of shipping containers, each housing a
hotel room. The interior is a vast open
space criss-crossed by bridges and walk-
ways that overlook the mosaics and ruins
below. The whole structure rests on over 60
columns. One entrance serves the hotel,
another the publicly accessible museum.
In Turkey, where the earth teems with
the relics of dozens of ancient civilisa-
tions—and where over the past couple of
decades the economy has been powered by
a construction frenzy—development regu-
larly takes priority over heritage. This hier-
archy applies to small and mega-projects
alike. A few years ago, when the discovery
of three dozen Byzantine shipwrecks and a
Neolithic settlement from the sixth mil-
lennium bcdelayed the opening of a tun-
nel under the Bosporus, Turkey’s presi-
dent, Recep Tayyip Erdogan, scolded the
researchers who caused “three to five pots
and pans” to hold up progress. More re-
cently, flooding from a hydroelectric dam
on the Tigris river has begun to submerge
one of the longest continuously inhabited
places on Earth, a 12,000-year-old town in

Archaeology and development

A night at the museum


ANTAKYA
Some construction projects threaten Turkish antiquities. Others save them

Books & arts


76 Remembering Kurt Vonnegut
77 The Cartiers
77 A history of The Economist
78 Johnson: Unspeakable things

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