2019-07-01_Computer_Music

(singke) #1

Packagingessentialtone-shaping
featuresintoa colourful,user-friendly
interface,it’ssafetosaythatFabFilter’s
powerhousePro-Qisthisgeneration’smost
popularcommercialequaliser,havingfound
itswayintomoreproducers’pluginfolders
thanwedaretomention.
Theheadliningnewfeatureforv3(10/10,
266)isitsDynamicEQmode,wherebyanyBell
orShelvingEQbandcanautomaticallyboostor
cutinresponsetotheleveloftheincoming
signal.It’sespeciallyusefulforsuppressing
momentaryjumpsina particularfrequency


range,astheentiresignalwillonlybeEQed
whenthosetonesarepresent,leavingother
elementsunaffectedwhentheoffending
frequencyisn’tthere.Conversely,thistechnique
canalsobeusedtodynamicallyemphasise
frequenciesthatpokeabovethestatusquo–
that’sdynamicexpansion,natch.
It’sworthnotingthat,unlikemanyother
dynamicEQplugins,Pro-Q3 doesn’tallowyou
toadjusta dynamicband’sattack,releaseor
kneeresponse.Fastidioustweakersmaymiss
thesecontrolsonpaper,butinpractice,the
plugin’sprogram-dependentintelligenceand

operationalsimplicitymakethisoften-complex
mixtechniquea loteasiertodialineffectively.
DynamicEQisn’ta newconcept,ofcourse,
butitsconvenientinclusioninsuchanall-star
pluginwillsurelyopenupthepotentialofthis
techniquetonewcomers,whichiswhywe’re
goingtotakeyouthroughitsoperationand
usesinthetutorialbelow.
Don’tworryif youdon’townPro-Q3 – simply
headovertofabfilter.comanddownloada
30-daydemo.Alternatively,thefollowing
techniquescanbeappliedtoanydynamicEQ
pluginyoumayalreadyown.

>Stepbystep
DiallingindynamicEQ

Here’saninstanceofPro-Q3 loaded
overa fullstereomix.Harshvocal
sibilanceissporadicallyjumpingout.By
hoveringthemousepointeroverthis
range,Pro-Q3’sSpectrumGrabfeature
showsusthatthesibilanceoccursat2.5-
3kHz.Weclickanddragdowntocreatea
newEQbandandnotchoutthesibilance.

1


Thisstaticnotchaffectsothermix
elementstoomuch,soweresetGain
to0dB.Timetogetdynamic!Draggingthe
Gainknob’soutercollarsetstheband’s
DynamicRange(ie,ratio)– negative
valuesforattenuation,andpositivevalues
forexpansion.Putsimply,thisisthe
amountofdynamicboost/cutapplied.

2


ThetrickhereistosetthisDynamic
RangevaluesotheEQnotchonly
attenuateswhenthesibilanceispresent,
andresetstounitywhenit isn’t.With
carefuladjustment,a negativeDynamic
Rangevalueofaround-5.6dBcausesour
EQnotchtodipdownthesefrequencies
onlywhenthevocalsibilancejumpsout.

3


Bydefault,a dynamicEQbandin
Pro-Q3 usesanautomaticthreshold
value,meaningthatit’sconstantly
listeningtothevolumeoftheband’sinput
frequenciesandadjustingaccordingly.To
seta manualthresholdamount,we
deactivatetheAutobuttontoreveala
Thresholdslider,thensetthisto-26dB.

4


Fromhere,weadjusttheband’sQ
widthjustlikea regularEQ,precisely
lassoingourdynamicEQnotcharound
theexactarearequired.Finally,toggling
theBypassDynamicspowerbutton
allowsustoA/Bbetweentheunprocessed
signalandEQ-notchedversion– an
essentialevaluationtechnique.

5


NEXT MONTH Ableton Live’s 10.1 update in action

#01


76 /ComputermusiC /July 2019


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Deep ducking



Advanced users will want to explore
the possibilities opened up by the
plugin’s external sidechain
capabilities. Pipe another track into
Pro-Q 3’s external input and that
signal can be used to dynamically
boost or cut a band – for example, if
you want to notch out a specific
frequency from your bassline only
when the kick drum fires.
Note that a dynamic EQ band can
be applied to the left or right
channel, or to the mono (Mid) or
stereo (Side) component of a signal.
Oh, and a dynamic EQ band can
operate in Linear Phase mode, too.

focus


Dynamic EQ with FabFilter Pro-Q 3


In the first of a monthly focus on a particular plugin or key feature, we’re


going to explore the blurred line between equalisation and compression...

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