Real Communication An Introduction

(Tuis.) #1
104 Part 1  Basic Communication Processes

Although we’re fairly adept at deciphering these common expressions
of emotion, we’re not necessarily experts at decoding all facial expressions
( Bavelas & Chovil, 2006). That’s because the human face can produce more
than a thousand different expressions (and as many as twenty thousand if you
take into account all of the combinations of the different facial areas) (Ekman,
Friesen, & Ellsworth, 1972; Harrigan & Taing, 1997). Moreover, our emotions
can be concealed by facial management techniques, conscious manipulation of
our faces to convey a particular expression.
One common facial management technique is masking, replacing an expres-
sion that shows true feeling with an expression that shows appropriate feeling for
a given interaction. Actors use masking all the time. But you also use it when
you smile at customers at the restaurant where you work even though you’re in a
horrible mood and wish they’d leave (Richmond, McCroskey, & Payne, 1991).

Eye Behavior


When Rooney Mara portrayed Lisbeth Salander in the film adaptation of The
Girl with the Dragon Tattoo (2011), she learned to move and gesture in ways
to convey the hurt and fury her avenging character experiences. But Mara said
that her character’s eye behavior was particularly hard to master. Contrary to the
norms of interaction, Salander never looks into the face of others, keeping her
gaze downcast or sideways (Ryzik, 2012). Oculesics is the study of the use of the
eyes to communicate—which includes Salander’s gaze aversion.
Newborn infants (two to five days old) stare significantly longer at faces
offering a direct gaze rather than an averted one. The babies orient themselves
more often toward the face that makes eye contact with them. Babies as young as
three months old smile less when adults avert their gaze and begin smiling more
when adults resume eye contact (Farroni, Csibra, Simion, & Johnson, 2002).
There are some cultural variations in gazing with children. For example, Euro-
pean American parents gaze more at their children, especially between mothers
and sons. Mexican American parents, on the other hand, spend less time making

Sadness Anger Disgust

Fear Interest Surprise Happiness

FIGURE 4.1
CROSS-CULTURAL
PRIMARY FACIAL
EXPRESSIONS Research
shows that these seven
expressions of emotion exist
in all cultures and are inborn.


CONNECT


Despite differing cultural
norms regarding direct
eye contact, it remains an
important part of giving
speeches and succeed-
ing in job interviews in the
United States. In both situ-
ations, eye contact signals
respect for your audience
and confidence in your
abilities and preparedness.
You learn more about the
challenges of eye contact,
and how to move past
them, in Chapter 14 and
the Interviewing Appendix.

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