The Washington Post - 06.04.2020

(Frankie) #1

monday, april 6 , 2020. the washington post eZ re c3


ble. And yet one has to ask: If a
novel’s subject is potential global
suffering, is distraction really a
good idea? Bohjalian’s focus on
current problems in his novels is
admirable, and in this case feels
prescient; but the villains in “The
red Lotus” are such sociopaths,
and some of the plot twists so far-
fetched, that the specter of biologi-
cal warfare begins to feel improba-
ble instead of truly threatening.
Which may seem like a book critic’s
quibble, until you consider that
opting for diversion and reassur-
ance — rather than paying atten-
tion to clear warnings — got us to
where we are now.
[email protected]

suzanne Berne is a novelist whose
books include “a crime in the
neighborhood” and “the Ghost at the
table.”

and Vietnam, joined by more char-
acters and more unsettling facts
about rats. Especially rats as labo-
ratory subjects infected with
pathogens. Alexis’s unhappy child-
hood and her history with self-
harm are added to the mix, which
tangles the story further, though
readers who crave suspense will
get it, along with a grim chill from
reading about a plague while
covid-19, the disease caused by the
coronavirus, menaces the world.
They will get, as well, a resolution
that swiftly unsnarls the many nar-
rative threads, metes out punish-
ments to the evil and (mostly)
spares the good.
Suspense novels are valuable in
terrible times — they offer distrac-
tion from the news and from our
own fears. They also answer our
desire for quick resolution, even if
we can hardly believe one is possi-

hospital’s chief fundraiser. Sally’s
office happens to be near a labora-
tory that conducts research on
rats; she’s a lso having an affair with
Douglas, Austin’s dart-playing
friend from the bar, an inexplicably
wealthy travel writer and obvious
bad guy. meanwhile in Vietnam,
Quang, a police captain, deduces
that Austin’s d eath might be linked
to the death of a Vietnamese food
chemist and a fire at h er lab, which
happened around the same time.
To further complicate matters, we
keep receiving detailed dispatches
about rats as disease carriers from
a mysterious first-person source,
speaking in italics. We are also
reminded, periodically, that Alexis
still has those Psych gels.
I’m not giving away as much of
the story as it seems: The plot
becomes labyrinthine as we move
back and forth between New York

ing on the mountain road where
Austin had been biking. After Aus-
tin’s b ody is recovered the next day
by the Vietnamese police, who de-
termine that he was the victim of a
hit-and-run, Alexis takes those gels
home to New York, along with Aus-
tin’s other effects, and tries to re-
turn to work. Ye t she is hounded by
doubts. It’s now clear that Austin
lied to her about his father’s mili-
tary service, but why? Then she
discovers his laptop has been
“wiped clean.” Also, what to make
of the strange skewer-like punc-
ture wound on the back of his
hand, which she noticed while
identifying his body at the
morgue? And were those really cat
bites on his fingertips?
Growing increasingly suspi-
cious, she enlists the aid of a pri-
vate investigator recommended b y
his former boss, Sally Douglas, the

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entertainment/tv

tV highlights


Public Policy Productions
Broken places (Pbs at 10) a documentary explores why some children are
severely damaged by early adversity while others can thrive, and revisits
previous subjects to see how early trauma shaped their lives as adults.


BY TRAVIS M. ANDREWS

Around and around they go.
Jockeying for position. Hugging
the curves of the Savage Speed-
way. Heading t oward the f inish.
Coming into the race, Clemen-
tin, racing for team o’rangers,
stood tall as first seed. Now, he’s
nowhere to be found, and Snowy
of team Snowballs and Speedy of
the Savage Speeders have rolled
ahead t o take the lead.
But in the end, Starry from
Te am Galactic p roves victorious.
Starry proudly stands atop the
gold m edal p latform.
Starry is a marble.
This is marbula one, in which
spherical glass balls line up be-
hind starting blocks before they
drop away and, whoosh!, gravity
pulls them out of the gate and
through several laps around a
twisty t rack b efore a conveyor b elt
brings them back to the top again
to keep t he r ace going. Announcer
Greg Woods soundtracks the feb.
16 event with sharp commentary.
Professional camerawork and top-
notch editing g ive t he w hole t hing
a prime-time, ESPN-esque sheen
— even though i t all takes place on
YouTube.
This particular race, which has
racked up more than a million
views, represents just one of the
many offerings of Jelle’s marble
runs, t he online organization t hat
created marble racing — which, in
the absence of sports because of


the coronavirus outbreak, has
come to give fans an outlet to sate
their thirst f or competition.
The sport — and, please, don’t
disrespect it by calling it anything
but — recently got a boost thanks
to a single tweet by a user named
Christmas, showing a clip from a
sand race from a f ew y ears a go.
Attention from celebrities such
as fall out Boy bassist Pete Wentz
and English soccer legend Gary
Lineker helped boost the Twitter
video well beyond viral status. It’s
been viewed more than 35 million
times. The Jelle’s marble runs
YouTube channel added more
than 150,0 00 of its 759,000 sub-
scribers in march. marble races
were even a ired on E SPN 2.
“It’s kind of tough to wrap your
mind around the growth that has
come in the last couple of weeks,”
Woods said. “This vacuum where
sports existed has really affected
people. It’s t he perfect storm to get
people into this, because y ou can’t
watch in person. You have to
watch it online, at h ome.”
Jelle’s marble runs has three
primary categories: The marble
rally, which is the most basic —
marbles r olling down a hill; first to
the bottom wins. Then there’s the
marble League, an “olympic-
style” extravaganza with more
than 15 team and individual
events, including sprints, rafting
and balance beam. finally, there’s
marbula one — short-track,
multi-lap race mirroring the real-

world Grand Prix.
“What really draws you in and
keeps you there, even though it’s
just marbles rolling with gravity:
It still has the central tenets of
sports,” Woods said. “Underdog
stories. Come-from-behind victo-
ries. Upsets. The home team pre-
vailing or not prevailing.”
Though marble racing only re-
cently vroom vroomed into the
public consciousness, it’s been
around for decades. Jelle Bakker,
co-founder of Jelle’s marble runs,
began constructing tracks as a
young child in the Netherlands,
digging them out of the dirt in his
grandfather’s garden. originally,
they were for h is own a musement.
Then came the Internet — a place
to upload such oddities and, in
time, f ind a rabid f an base.
Despite his brother and co-
founder Dion’s initial skepticism,
Jelle created his first YouTube
channel i n 2006.
“I thought, why would anyone
look at your marble runs? It’s ri-
diculous,” D ion said.
At first, they filled the channel
with cool runs. About a decade
later, they added a competition
element. originally, Dion said, the
enterprise was c alled the “marble-
lympics” but the International
olympic Committee wouldn’t
have it. The fédération Interna-
tionale de l’Automobile, though,
welcomed “marbula one” with
open a rms.
The sport grew steadily,

branching into different leagues
and receiving support from the
official subreddit, where f ans ana-
lyze stats, offer suggestions for
future tracks, share marble rac-
ing-themed memes and create
elaborate backstories for the vari-
ous r acers.
After a recent win, for example,
they gossiped about female fans
crowding outside of S nowy’s h otel
room. one user commented,
“Snowy has had trouble with the
ladies in the past. Let’s hope his
fortunes turn around!” one in-
stance included a story line of
security guards having to calm
down some rambunctious Limers
fans who were throwing things on
the track. That hubbub took a
violent t urn i nto a s tands-clearing
fight that found Te am Primary
fans banned from the stadium. (In
reality, no one w atches the r aces —
the f ans’ c heers a re added i n.)
“We like to be interactive with
the f an base and let them come up
with ideas and names,” Dion said.
“Jelle found it important to hear
the f ans’ o pinions.”
Woods became a central part of
the appeal, giving voice to the
voiceless. He’s even sometimes
represented in t he v ideos by a little
marble in the announcer’s booth.
“Greg Woods’ voice gives me life,”
reads o ne reddit post.
The Iowa-based auto racing en-
thusiast discovered marble racing
through its subreddit back in
2016, when he stumbled upon a

Sports amid covid-19? This one’s for all the marbles.


where is Austin? This is the last
day of their bike tour (his idea), a
kind of pilgrimage to honor his
father and uncle’s service in Viet-
nam. That morning he rode alone
to the Hai Van Pass, to be near
“where his father had been
wounded and his uncle had died.”
But n ow he’s l ate.
A promising beginning, with a
cold splash of dread, although we
discover almost immediately what
happens to Austin. Not so Alexis,
who sets out on a panicked search
for him with the tour leaders. They
find nothing but several innocu-
ous-looking Psych energy gels ly-

from Danang for her boyfriend,
Austin, to return from a bike trip
into the mountains. Their ro-
mance began six months earlier
when Austin, a fundraiser at her
hospital, appeared in the Er with
a bullet wound. He’d been at a
manhattan dive bar playing darts
with a friend w hen a “ crazy j unkie”
shot him by accident. She also
treated what Austin claimed were
cat bites on his fingertips. Not
exactly a “meet cute,” Alexis re-
flects by the pool, but a good story
to tell their children someday. Yet


book world from C1


Plague thriller provides


a grim, real-world chill


short race down a track carved
into a sand hill.
He was amused by the marble
names i n the starting l ineup.
“I thought it would be kind of
funny if I called it like it was a
motor race, a formula 1 Grand
Prix,” he said.
So he posted a short recording
to reddit. The fans loved it, and
soon the brothers called from the
Netherlands asking if he would
record commentary for all their
videos.
Nowadays, Jelle creates a new
track — which can take several
days, depending on its complexity
— and the brothers then film the
race a nd e dit it. A composer d rafts
music, and for special races, an a
cappella group records team
chants to come from the crowd.
Eventually, the whole t hing is s ent
to Woods, who records his com-

mentary in a single take “to pre-
serve the r ealism,” he said.
Sometimes precision matters
more than speed. In the marble
League, c ompetitors m ust face the
balance beam — a long, thin track
— where four marbles on the same
team attempt to see how far they
roll before falling off. And in the
Hubelino maze, marbles do their
best not to get stuck in a winding
course.
Woods, who has a background
in public health, said he hopes the
races might be enticing enough to
help people stay inside and prac-
tice social distancing.
“I hope that we are, as a result,
trying to make the best out of a
less-than-ideal situation,” he said.
“Sports are cathartic. You’re get-
ting emotions out, and this still
gives you the o utlet to do t hat.”
[email protected]

anton Weber/Jelle's Marble runs
Jelle bakker sets up the starting gate for a marble race.

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