Sight&Sound - 05.2020

(Jacob Rumans) #1

26 | Sight&Sound | May 2020


WIDE ANGLE


  1. Romeo and Juliet in the Snow
    Ernst Lubitsch, Germany
    Ernst Lubitsch’s famous lightness of touch
    turns Shakespeare’s immortal tragedy to
    timeless comedy in Romeo and Juliet in the
    Snow, a rural German version with sausage
    gags to match. Here, in the apothecary scene,
    the despairing teens ask for “Poison for two,
    please,” in silent film’s best-ever intertitle.

  2. One Week
    Eddie Cline/Buster Keaton, US
    Buster Keaton branched out on his own in

  3. One Week was a stunning debut, with
    its finely honed physical gags and adorable
    young married couple building their first
    home from a kit (one week being the time
    the job is supposed to take). A flat-pack
    house? What could possibly go wrong?

  4. The Life of the Party
    Joseph Henabery, US
    The sight of Roscoe Arbuckle, one of the great
    silent comedians, hanging by his fingernails
    in a film called The Life of the Party, is horribly
    ironic given the terrible scandal that beset him
    only a year after this spritely comedy was made.
    You may recognise the building he is falling
    off from Harold Lloyd’s Safety Last! (1923).

  5. Hamlet
    Svend Gade/Heinz Schall, Denmark
    We might think of women playing the
    great male Shakespearean roles a a recent
    phenomenon, but in 1920 the Danish
    actress Asta Nielsen played Hamlet as a girl
    disguised as a boy by her mother – it makes the
    Ophelia/Hamlet relationship interesting!


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