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His fear, he says, is that American pasta might
sully his sensory recall of the revelatory pasta-
eating experiences he’s had in Italy. And
for the chef-owner of L.A.’s handmade-pasta
temple, FELIX TRATTORIA,
that’s simply not acceptable.
Funke is a man obsessed,
on a self-assigned lifelong
mission to save obscure
pasta shapes from the brink
of extinction. It all began 13
years ago with an appren-
ticeship in Bologna, where
he worked alongside pasta
maestra Alessandra Spisni.
Since then he has returned
to Italy twice a year to find
small-town sfoglini, or pasta
makers, each of whom has
perfected one particular
passed-down-through-the-
generations shape. He doc-
uments their anthropology,
masters their technique, and
brings each shape back to
L.A. with him, from floppy
diamonds of testaroli to ruf-
fled squares of quadrefiore.
In fact, no pasta shall grace
the menu at Felix if it hasn’t
been physically taught to
Funke by the hands of a
native Italian.
Which is to say, I was a bit intimidated when
I flew out to L.A. to meet Funke—especially
since I had gone to ask him for five regular old
store-bought dried pasta recipes that one
could easily make at home.
Walking past the glass-
walled pasta laboratory and
catching a glimpse of a
plaque that read “F*#% Your
Pasta Machine,” I was wor-
ried that when he heard my
request he might throw a vat
of perfectly salted pasta
water straight at my face.
But no! Turns out Funke is
nearly as enthusiastic about
cooking dried pasta (as
long as it’s very good dried
pasta—made in Italy, of
course) as he is the fresh
stuff. And though his metic-
ulousness may be slightly
maniacal, he’s also pretty
down-to-earth. Over the two
days we spent together, he
enlightened me, surprised
me, humbled me, and proved
to me that with a little finesse,
a lot of respect, and adher-
ence to the five simple rules
you’ll find on the following
pages, even dried pasta has
the potential to transcend.
If t here’s one fact that best defines
Evan Funke, it’s this: His literal
job is to make pasta, but he refuses
to eat the stuff in America.
3 Dried Pasta
Brands That
Funke Can Dig
The sauces in these recipes
are designed to highlight excellent
pasta. So your first ingredient
should be, well, excellent pasta.
RUSTICHELLA
D’ABRUZZO
When you’re on the hunt for
those obscure, lesser-known shapes,
look no further than this nearly
century-old brand, which started
in Penne, Italy, in 1924. ($10 for
17.5 oz.; casarustichellain.com)
GAROFOLO
Born back in 1789 in
Gragnano, Italy, where natural
spring water flows and the climatic
conditions are apparently ideal
for drying pasta (legit!), this brand
has mastered the art of texture
at an accessible price point.
($5 for 16 oz.; eataly.com)
MOLINI DEL PONTE
Funke spent some time in
Castelvetrano, Italy, with the guy
who makes this stuff, using an
ancient grain called tumminia.
Twisty busiate is Funke’s preferred
shape; he likes to pair it with pesto.
($15 for 17.6 oz.; gustiamo.com)