C2| Saturday/Sunday, March 28 - 29, 2020 **** THE WALL STREET JOURNAL.
Thecrisis
will
renew
respect
for
compe-
tenceand
expertise.
als making tough decisions
and exuding competence. No
“the-dog-ate-my-homework”
and “it’s-not-my-fault” ex-
cuses—just old-school, in-
spired leadership.
Once the trauma passes, I
feel sure that more Americans
will appreciate leadership
based on evidence, problem-
solving and consensus-building.
They will see the importance of
skill, professionalism and sci-
ence-based solutions. Support
for these values could go a long
way toward reducing the hy-
perpartisanship that now para-
lyzes Washington.
Second, for most of our his-
tory, America has been a bot-
tom-up country, relying less on
the federal government than on
what Edmund Burke called the
“little platoons” and on govern-
ments closer to the people they
serve. Over the past genera-
tion, we have seen the federal
government encroach ever
more. The federal government’s
inability to respond quickly and
effectively to the coronavirus is
creating a newfound respect
for local initiatives, private-sec-
REVIEW | AFTER THE PANDEMIC
such announcements are inevitable.
I’m hearing much the same thing from
coast to coast, though the institutional
damage done by the coronavirus looks at
first glance to be especially devastating to
theater. Even the biggest regional the-
aters have either laid off staff or are days
away from doing so. Few artistic directors
feel comfortable speaking on the record,
but the boss of one of the country’s top
regional houses, who just furloughed
three-quarters of his employees, told me
that “I have never had to do anything this
drastic in my entire professional career.
It’s horrible.”
Imagine, then, the plight of the smaller
companies, the no-budget storefront and
off-Broadway houses whose risk-taking
productions supply the artistic fertilizer for
America’s theatrical culture. Many of these
groups—perhaps most of the smaller
ones—simply won’t reopen when the crisis
abates. As for the actors, directors, play-
wrights, designers and other professionals
who make sure there’s a show onstage
when the curtain goes up...well, they’re in
can’t-pay-the-rent trouble. As one of them,
the writer and director Daniel Goldstein,
told the New Yorker, “All theater people,
except the ones who have institutional
jobs—we’re gig people. We’re no different
than a handyman. When the theaters
closed, we were literally all unemployed.
Everyone I know is unemployed.”
For now, charitable contributions are
helping to ease the bite. One online com-
pany, Goldstar Events, which sells half-
price tickets to big-city live performances,
has just retrofitted its website, http://www.gold-
star.com, as a platform through which you
can make direct donations to performing-
arts organizations of all kinds. Those do-
nations will make a difference. Says Mi-
chael Halberstam, artistic director of
Chicago’s Writers Theatre, the best re-
gional theater in America: “We need your
support now more than ever in the his-
tory of theater in this country. Without
ticket sales, we’re almost entirely depen-
dent on individuals, corporations and
foundations for our very survival.”
Nothing, of course, can kill off the per-
forming arts. By bringing audiences to-
gether to participate in collective acts of
truth and beauty, they provide us with a
communion of souls that speaks to some-
thing fundamental in the human heart. But
the challenge posed by Covid-19 is far
greater than anything else they have faced
in my lifetime, and the story of the havoc
that it will wreak is one I dread to tell.
Mr. Teachout is the Journal’s drama critic.
Institutions of all sizes are
facedwithfinancialdisaster.
In trying times, we realize the meaning of commitment.
Marriage With Family
At Its Center
BigTrouble
Forthe
Performing
Arts
OF ALL THE BAD TIDINGSbrought by the
coronavirus, here’s the scariest piece of
news for lovers of the performing arts: The
Metropolitan Opera is canceling the rest of
its current season—andfurloughing its or-
chestra members, choristers, dancers and
stagehands. That reportedly comes to more
than 500 people. What’s more, the unions
aren’t protesting. As Leonard Egert, na-
tional executive director of the American
Guild of Musical Artists, told the New York
Times: “We’re disappointed, we’re upset,
but we understand.”
You don’t have to be an opera buff to
grasp the wider implications of this devel-
opment. The Met is America’s largest per-
forming arts organization. While it’s
weathered severe budgetary problems in
recent seasons, it’s successfully dealt with
all of them—until now. As a result of the
social-distancing lockdown in New York
caused by Covid-19, the Met is staring
down losses of up to $60 million. That’s a
hit the company can’t survive without
drastic measures in response. Hence the
furloughs—and the absence of squawking.
Everybody can count.
What’s happening at the Met is hap-
pening at every performing-arts organiza-
tion I know of, large and small alike. Op-
era, orchestras, dance companies, theater
troupes, nightclubs: All have seen their
revenues collapse overnight. And unlike
the Met, which has a $300 million endow-
ment, most of them have next to nothing
in the bank to see them through the crisis.
The results are alarmingly self-evident. As
I write these words, the producers of two
Broadway plays already in previews,
“Who’s Afraid of Virginia Woolf?” and
“Hangmen,” have an-
nounced that neither
show will go on, even
after Broadway’s the-
aters reopen. More
New York’s
closed
Metropolitan
Opera.
BYTERRYTEACHOUT
pharmaceutical ingredients?
How can China build a hospital
in weeks while we seem para-
lyzed? Why do licensing laws
restrict health-care providers
from providing care? Where on
Earth are the ventilators? The
list is long and varied.
The explanation for many of
these problems is that out-
dated 20th-century rules sty-
mie 21st-century innovation. In
an emergency, many of those
rules can be waived by execu-
tive order. After the crisis,
there will be momentum to
challenge the stale rules that
hindered our response. This is
likely to go well beyond dealing
with pandemics.
Telehealth, for instance,
tor creativity, personal respon-
sibility and civic engagement.
Let us hope that Washington
loosens its grip on policy and
allows federalism to bloom.
Finally, we need to use to-
day’s crisis as a learning op-
portunity. Millions of Ameri-
cans are asking: Why does it
take so long for a vaccine to
become available? How did the
U.S. become dependent on Chi-
nese manufacturing for vital
should become more
commonplace, both
because of the short-
age of health-care
professionals and be-
cause of the help it
provides in delivering
care efficiently. And
as millions of Ameri-
can families are dis-
covering, online in-
struction is a viable
means for students to
learn. States will
need to figure out how to
change licensing and payment
rules to encourage these revo-
lutions in vital services.
During and after this crisis,
across the policy spectrum, in
both the public and private
sectors, people will ask, “If we
weren’t doing it this way, how
would we do it?” By making
this question our post-pan-
demic mantra, we will become
more nimble and innovative,
less reliant on Washington and
more focused on the long-term
issues that will drive America
toward a more purposeful and
prosperous future.
Mr. Bush was the governor of
Florida from 1999 to 2007. BEN TWINGLEY/PENSACOLA NEWS JOURNAL/ASSOCIATED PRESS
Florida Gov. Jeb Bush
discusses Hurricane
Dennis, July 11, 2005.
Mayors and
governors
aren’t making
excuses.
ON MARCH 13—the day my wife in-
formed me that our weekend date night
was off because our governor had de-
clared a state of emergency—I had an in-
kling that big changes were in store for
our marriage. A few days later, as we
found ourselves barely managing to
home-school six children, work two jobs
and run a big household on lockdown, I
knew that the loss of a regular date
night was going to be the least of our
marital challenges. Scenarios like ours—
and ones much, much harder, with mil-
lions of parents losing jobs, heading to
the front lines to battle the virus or
grieving the loss of loved ones—are
playing out in homes
across America.
There is no doubt that
the fallout of this pan-
demic will exact a toll on
marriage in America. The
marriage rate will fall, as
fewer men and women
have the confidence to
head to the altar amid the
greatest recession in our
lifetime—much as the marriage rate fell
in the wake of the Great Recession.
For those who are already married,
the stresses and strains of marriage
and family life in the time of Covid-19
will send thousands of couples to di-
vorce court. Marital failure will be es-
pecially common for husbands and
wives under the sway of what I call the
“soul mate model” of marriage. The
soul mate model—trumpeted in books
like Elizabeth Gilbert’s “Eat, Pray,
Love,” not to mention countless songs
and rom-coms—is the idea that mar-
riage is primarily about an intense
emotional and romantic connection be-
tween two people and should last only
so long as that connection remains
happy and fulfilling for both parties.
This self-centered model gained in pop-
ularity for many Americans starting in
the 1970s, the “Me Decade.”
But feelings are a fragile foundation
for marriage. A recent YouGov survey
indicates that married people in Cali-
fornia who hold this view of marriage
are about 60% more likely to think
their marriage might end in divorce,
compared with those who have a more
family-first model of marriage, believ-
ing that “Marriage is about romance
but also the kids, money, raising a fam-
ily together.” No doubt the disappear-
ance of date nights and so much more
in today’s trying times will undo many
marriages founded on the idea that
marriage is supposed to make you feel
good all the time.
The silver lining here is that—in the
face of so much trauma and economic
dislocation—most marriages will not
collapse, and many will instead emerge
stronger and more stable as husbands
and wives develop a new appreciation
for how much they love and depend on
their spouse—and how much they, their
kids and their kin depend
on them keeping their
marriage together. As I
wrote a decade ago about
the Great Recession, the
hardship “led many
Americans to deepen
their commitment to mar-
riage and, in some cases,
to table or cancel their
plans to divorce or sepa-
rate.” In fact, the divorce rate dropped
in the immediate wake of that eco-
nomic downturn and has fallen more
than 20% over the last decade. The di-
vorce rate is likely to fall even faster in
the wake of this new crisis.
That’s because in times of trial and
tribulation, most people—and most
spouses—don’t become more self-cen-
tered, they become more other-centered,
more cognizant of how much they need
their family members to navigate diffi-
cult and dark times. In post-Covid-19
America, I’m confident that the family-
first model of marriage will gain ground
against the soul mate model.
As for me and my bride, we didn’t en-
joy a date night last weekend, but I was
able to deliver food, some socially dis-
tanced conversation and air hugs from
the grandchildren to my homebound 70-
something in-laws. And it felt better
than date night.
Mr. Wilcox is director of the National
Marriage Project at the University of
Virginia and a senior fellow of the In-
stitute for Family Studies.
Most
marriages
will emerge
stronger and
more stable.
BYW.BRADFORDWILCOX
AS GOVERNOR OF FLORIDA,I
dealt with the aftermath of
9/11, major floods and fires,
and an anthrax attack, as well
as eight hurricanes and four
tropical storms over just 16
months. Each crisis, however
difficult, was a learning oppor-
tunity. Each made our state
and local emergency respond-
ers better at their jobs and im-
proved Florida’s capacity to
deal with future problems.
The coronavirus pandemic
is an unprecedented crisis,
challenging all of us to protect
our families’ health and sur-
vive the severe economic con-
sequences of self-quarantining.
The risks are real, and the
path forward is uncertain. But
we will get through this, and
the experience is likely to
bring about significant
changes in our society.
First, dealing with the coro-
navirus will help to restore re-
spect for leadership and ex-
pertise. Glued to our television
sets, we see mayors, governors
and public-health profession-
BYJEBBUSH
Local Leaders Showing
The Way Forward
KATHY WILLENS/ASSOCIATED PRESS RUTH GWILY