TheTimes8April2020

(Elliott) #1

the times | Wednesday April 8 2020 1GM 21


News


Sir Cliff Richard is worried


that his fans are dying off


He is still churning out new tunes at the


age of 79, but Sir Cliff Richard thinks


the modern music industry is not giving


his records a fair shake.


The singer is the third biggest-selling


artist in UK singles history, behind only


the Beatles and Elvis Presley. His


recent releases, however, are rarely


heard on the airwaves.


Richard is now demanding that radio


stations give established acts like him


preferential treatment so that younger


generations can discover them.


In a rare interview, he said that music


streaming services were “unbelievably


bad” for songwriters because of their


low payment rates, accusing the likes


of Spotify and Apple Music of profit-


eering. He admitted that his live tours


were not as lucrative as before,


because older fans are dying off.


“Those of us who have proven


ourselves over and over and


over again should be given a


priority chance [on radio],


even if it’s to say ‘We are going


to play this record once a day


for two weeks’ ,” he told the


Greatest Music of All Time


podcast. “Without radio,


there is nothing we can do


other than go on tour, which is


not only tiring, it gets less effi-


cient as time goes by, the audi-


Radio play isn’t just


for the young ones,


complains Cliff


ences get smaller.” He added: “We are
all dying. Long-term fans may not be
with us any more.”
Richard has sold 250 million records
around the world and scored 14 UK No
1 singles, including Mistletoe & Wine,
Summer Holiday and 1999’s The Millen-
nium Prayer.
His wealth has been estimated above
£52 million, although he claims to have
been left substantially out of pocket
from his successful privacy action
against the BBC over its coverage of a
police raid on his home in 2014.
Sir Cliff’s most recent album Rise Up
reached No 4 in the UK charts in De-
cember 2018 despite being shunned by
most mainstream radio stations.
He told his interviewer, Tom
Cridland, that BBC stations
“narrowcast” to niche audiences
rather than introducing listeners
to a broad range of tracks.
“Why are they going to
download a Cliff Richard
record when they don’t
know it’s out?” he asked.
He cited figures showing
that acts receive as little
as 0.008 US cents
(0.006p) per Spotify play.
Sir Cliff is due to embark
on a UK tour in September
to mark his 80th birthday.
The Greatest Music of
All Time video podcast al-
so features interviews
with Johnny Marr and
Smokey Robinson.

Matthew Moore Media Correspondent


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A


portrait of the
young woman
said to have
inspired the
bad girl of

Jane Austen’s Pride and


Prejudice has been


acquired by the museum


at the novelist’s cottage


(Mark Bridge writes).


The 3½in painting on


ivory depicts Mary


Pearson who was briefly
engaged to Jane’s brother,
Henry Austen, in 1796.
“As a pretty girl who
jumped into a short-lived
engagement with a
dashing young soldier,
Mary is said to have
inspired the character of
Lydia Bennet — the
officer-obsessed teenager
who eloped with the
notorious Mr Wickham,”
Sophie Reynolds, of the
Jane Austen’s House
Museum in Chawton,
Hampshire, said.
Mary was the daughter
of the naval officer Sir
Richard Pearson. After
she became engaged to
Henry, a militia officer,

The real Lydia


Bennet? Tiny


portrait has


a big secret
at the age of 22, she
met Austen at
Rowling in Kent,
where another
sibling, Edward,
lived. After breaking
things off, Henry
married his cousin,
Eliza Hancock, in



  1. Mary didn’t
    marry till almost 20
    years later. Eliza wrote
    at the time of Mary’s
    engagement that her rival
    was an “intolerable flirt”


who gave herself “great
airs”. “She is a pretty
wicked looking girl, with
bright black eyes,” she
said. But Austen wrote to
her sister Cassandra: “If
Miss Pearson should
return with me, pray be
careful not to expect too
much Beauty.”
Austen began writing
Pride and Prejudice in
about 1796, fuelling
suspicion that Henry and
Mary were the basis for
Wickham and Lydia. The
novelist observed that
women like Lydia “could
talk of nothing but
officers”. The portrait
was bought from the art
dealer Philip Mould.

Jennifer Ehle as Elizabeth
and Julia Sawalha as Lydia
Bennet in the BBC’s 1995
Pride and Prejudice. Lydia
is said to have been based
on Mary Pearson, left

BBC; JANE AUSTEN’S HOUSE MUSEUM
Free download pdf