- Open another trio of images. Back in the Bridge,
select Big sky.dng, Flowers.dng, and Wing.dng. When
sorted alphabetically, the files are nonadjacent, so click
one and Ctrl-click (or �-click) the other two. For the sake of
variety, right-click one of the selected thumbnails and choose
Open in Camera Raw. - Switch to the HSL/Grayscale panel. This time, we’ll edit each
image independently. Click the Flowers.dng thumbnail in the
vertical filmstrip. Then click the icon below the histogram to
switch to the HSL/Grayscale panel. You’ll find yourself auto-
matically in the Hue subpanel, shown in Figure 9-23. As in the
Hue/Saturation dialog box, the options permit you to adjust one
set of colors independently of another. But instead of sticking to
the six evenly spaced primaries, Camera Raw presents you with
eight subjective color groups. Where’s Cyans? Who cares when
you have such old chums as Oranges and Purples in its stead?
Figure 9-23.- Modify the hues of the flowers. As I mentioned, when work-
ing in the Hue subpanel, you can change one range of colors
independently of another. Let’s say that you want to make the
flowers redder. The flower is primarily orange, so move the
318 Lesson 9: Pro Photography Tools