VIKING SOAP OPERA
This romantic painting shows the funeral pyre of Sigurd the dragon-
killer (pp. 51, 58) and Brynhild (p. 30). In the legend, Sigurd was in
love with Brynhild. But he married another woman instead and tried
to trick Brynhild into marrying his brother-in-law, Gunnar. Brynhild
was so angry that she had Sigurd killed. Overcome with grief, she
stabbed herself and joined Sigurd on his funeral pyre.
All five posts had
long wooden planks
attached to t heir bases
wit h wooden dowels
The First Baroque
animal-head post
The Academician’s
animal-head post
Surface decorated wit h
hundreds of nails wit h
heads shaped like flowers
Metallic
fangs and eyes
Open jaw wit h
large bared teet h
Two elegant,
intertwining
animals
Second animal
swallowing t he first
Swirling circles carved
Flaring nostrils in very high relief
Large glaring eyes
Head of
first
animal
THE ENGLISH WAY
In their homes in Scandinavia, the Vikings raised
huge memorial stones to remember dead friends or
relatives (pp. 58–59). These stood in public places,
often far from the dead person’s grave. But in their
colonies in England, the Vikings adopted the native
custom of gravestones. This fragment of a stone
from Newgate (near York) is decorated with
two animals, one devouring the other.
Traces of red paint show that it was
once brightly colored.
PLANTS
AND ANIMALS
These twisting figures
decorate an 11th-century
English gravestone. Two
animals with S-shaped
bodies form a figure-eight
pattern. Plant leaves and
shoots sprout from their
snaky bodies.
SHIPS IN STONE
Only the very rich could afford a real
ship to carry them to the next world.
Other Vikings had their graves marked
with raised stones in the shape of a
ship. These ship settings are common
all over Scandinavia. This is one of a
whole fleet of ships in the big
graveyard at Lindholm Høje in
Jutland, Denmark.
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