LATIMES.COM/CALENDAR WEDNESDAY, MARCH 11, 2020E5
(714) 755-5799
PacificSymphony.org
Thu-Sat • March 19-21•8p.m.
Sun • March 22 • 3 p.m.
Carl St.Clair, conductor
Alexander Romanovsky, piano • Dennis Kim, violin
This all-Beethoven weekend—in celebration of
the iconic composer’s 250th birthday—features
all five of his piano concertos, with a different
program at each performance.
Concert sponsors:
David & Suzanne Chonette • Michelle F. Rohé
Distinguished Pianists Fund
Julie & Robert Davey • CarolAnn Tassios
Jim & Pat Peller
HAL & JEANETTE SEGERSTROM FAMILY FOUNDATION
CLASSICAL SERIES
Pacific Symphony proudly performs at
March
19-22
BEETHOVEN’S
PIANO
CONCERTOS
Official Media Sponsor
Official Hotel Official Classical Radio Station Official Media Sponsor
Official TV Station
Enjoy image
magnification
on the
big screens
health and safety seriously,”
The Times said Tuesday in
a statement. “As we make
plans to host the Festival of
Books and Food Bowl in
the fall, we will continue to
monitor developments with
the coronavirus in Southern
California, and cross-refer-
ence with any guests who
may be traveling to South-
ern California from affected
areas to participate in our
events.”
The Festival of Books
and Food Bowl, both annual
events, are the latest in a
slew of entertainment-
related events affected by
the outbreak, which has
seen nearly 20 cases in L.A.
County.
Further updates and de-
tails related to Times events
can be found at latimes.com
/events. Sponsors, exhib-
itors, participants and vol-
unteers with additional
questions can refer to the
relevant contact informa-
tion listed on the Festival
of Books and Food Bowl
websites.
The Los Angeles Times
has postponed its Festival
of Books and Food Bowl
events, “in light of public
health concerns related to
the coronavirus and out of
an abundance of caution.”
The 25th Festival of
Books, originally scheduled
for April, will now take place
Oct. 3-4 on the USC campus.
The fourth Food Bowl, previ-
ously set for May, will also be
moved to the fall, with dates
to be announced.
While the Book Prizes
awards ceremony will not be
held this year, honorees and
winners will still be acknowl-
edged via an announcement
to be released on April 17.
“Whenever we host the
public at our events, we take
Times postpones
book, food fests
A YOUNGHasan Paul checks out a title at a past
book festival, which is moving to Oct. 3-4 at USC.
Dania MaxwellLos Angeles Times
The events have been
moved from spring to
fall because of the
coronavirus outbreak.
By Christi Carras
The hit game shows
“Jeopardy!” and “Wheel of
Fortune” are suspending tap-
ings in front of live audiences
for a time as a precaution re-
lated to the coronavirus.
Sources close to the show
said the move was partly un-
dertaken to better protect
“Jeopardy!” host Alex Tre-
bek, who is battling Stage 4
pancreatic cancer. Trebek,
79, is undergoing chemother-
apy treatment. “Wheel of For-
tune” stalwarts Pat Sajak
and Vanna White are 73 and
63, respectively.
Both series are produced
by Sony Pictures Television.
Spokespeople for the com-
pany declined to comment.
The move comes as the
entertainment industry
scrambles to adjust to the
spread of the virus, which has
led to the cancellation of the
South by Southwest festival
in Austin, Texas, and other
major events. CBS’ globe-
trotting competition series
“The Amazing Race” sus-
pended production on its
33rd season last month as a
precautionary measure.
According to sources, the
average age of an audience
member for “Jeopardy!” and
“Wheel of Fortune,” which
tape at Sony’s Culver City lot,
is more than 60. Many audi-
ence members are from out
of state.
The national Centers for
Disease Control and Pre-
Jvention have warned that
older people are more vul-
nerable to complications
from COVID-19, the disease
caused by the coronavirus.
No audiences for
game show tapings
By Greg Braxton
opera performers, released
findings of its own sexual
harassment investigation,
concluding that Domingo
engaged in “inappropriate
activity, ranging from flir-
tation to sexual advances, in
and outside of the work-
place.”
The L.A. Opera investi-
gation summary noted that
Gibson Dunn found the Do-
mingo accusers to be cred-
ible “in part because of the
similarities in their ac-
counts.” Gibson Dunn often
found Domingo “to be sin-
cere in his denials but found
some of them to be less cred-
ible or lacking in awareness,”
the summary said.
L.A. Opera said the Gib-
son Dunn investigation
team, led by Debra Wong
Yang, interviewed 44 people
including those who re-
ported misconduct, L.A. Op-
era management and board
members. Anonymity was
granted in cases where it
was requested, the company
said.
Current and former L.A.
Opera employees were in-
vited to come forward, and a
dedicated email address
provided a way for people to
contact the investigation
team. Gibson Dunn also
asked the Associated Press
reporter who first reported
allegations against Domin-
go to invite her unnamed
sources to participate. The
original AP story and a sec-
ond one that ran several
weeks later detail allega-
tions by two named women
and 18 anonymous sources
of unwanted verbal and
physical contact made by
Domingo.
Singer Angela Turner
Wilson worked with Domin-
go during the 1999-2000 sea-
son of Washington Opera in
Washington, D.C., where
Domingo was artistic direc-
tor. Wilson told the AP that
when she and Domingo were
having their makeup done
together, he stood behind
her, slipped his hands into
her robe and under her bra
straps and grabbed her bare
breast. AP also interviewed
the makeup artist, who did
not recall the incident.
Despite accusations in
the AP stories that Domingo
inflicted damage on wom-
en’s careers if they weren’t
receptive to his advances,
the Gibson Dunn investiga-
tion did not find any evi-
dence of retaliation.
“Based on those and
other interviews, Gibson
Dunn found no evidence
that Mr. Domingo ever en-
gaged in a quid pro quo or re-
taliated against any woman
by not casting or otherwise
hiring her at L.A. Opera,”
the investigation summary
said.
The investigation also
found “no evidence that L.A.
Opera ever ignored, failed to
address, or covered up sexu-
al harassment complaints.”
It did, however, cite flaws
in L.A. Opera’s sexual har-
assment policies and pro-
cedures, and it said commu-
nication on the subject was
“insufficiently robust and at
times lacking.”
In a letter to employees,
released with the summary,
L.A. Opera President and
Chief Executive Christo-
pher Koelsch wrote that the
company plans to imple-
ment recommendations by
Gibson Dunn, including a
strengthened HR depart-
ment, a more formal process
for investigating and resolv-
ing complaints, and training
for managers and contrac-
tors.
“On a personal level, I am
troubled, and regret, that in-
dividuals engaged with the
company may have felt dis-
empowered, vulnerable or
unheeded in any way,” Ko-
elsch wrote. “We have
learned through this proc-
ess that there is a wide-
spread, industry-wide hesi-
tancy to report harassment,
and it is critical to our future
that we work to build trust
and transparency with one
another.”
Domingo’s future in op-
era remains in the balance.
A number of opera houses
and festivals around the
world have welcomed him
for spring and summer per-
formances, but others, such
as the National Institute of
Performing Arts and Music,
based in Madrid, and the
Royal Opera House in Lon-
don have canceled shows
featuring him.
L.A. Opera finds claims valid
[Domingo,from E1]
EX-L.A. OPERAGeneral Director Plácido Domingo
resigned last year amid allegations of harassment.
Associated Press
On Tuesday, Staatsoper
Hamburg in Germany an-
nounced that Domingo had
pulled out of his scheduled
performances in late March
and early April of “Simon
Boccanegra,” citing the
advice of his doctors and
concerns about the co-
ronavirus.
Asked by The Times if
L.A. Opera would consider
working with Domingo
again, either as performer or
part of a production’s cre-
ative team, the company is-
sued a statement saying:
“There are no current dis-
cussions about Plácido Do-
mingo’s future participation
at L.A. Opera.” A spokes-
woman declined to elabo-
rate further.
the BNP Paribas Open in In-
dian Wells, not far from In-
dio, canceled the annual ten-
nis tournament after the Riv-
erside County Public Health
Department confirmed the
first local case of coronavirus
and declared a public health
emergency.
Days later, three new
cases were announced in
Riverside County.
Last week, Palm Springs
resident Barbara Cooper ex-
pressed her concern over fes-
tival-goers swarming her
town.
“I just came from So-
noma, where they had peo-
ple quarantined. People ar-
en’t usually held in isolation
for something like the flu,”
said Cooper, 69.
She worked most of her
life as a registered nurse and
knows firsthand how scary
such a disease can be. Co-
ronavirus is especially dan-
gerous for the elderly, and in
a retirement town where the
median age is around 53,
that’s a concern.
Long considered the kick-
off to the spring and summer
concert season, Coachella
and Stagecoach have
pumped both cultural and
commercial energy into the
Southern California music
scene for 21 years.
Palm Springs-area mer-
chants work the April festi-
val windfalls into their
budgets. Thousands of tem-
porary workers relocate to
the area to serve the 250,000
festival attendees, who inject
well over $700 million into the
region’s economy.
The postponement by
Goldenvoice is the latest in a
series of disruptions related
to the coronavirus’ spread.
In addition to the cancella-
tion of SXSW, the Ultra Mu-
sic Festival in Miami post-
poned its annual electronic
music showcase this month.
On Monday, rock band Pearl
Jam postponed the North
American leg of its upcoming
tour.
The fate of Coachella was
being watched closely by the
promoters of the season’s
other major outdoor music
festivals, including the New
Orleans Jazz & Heritage
Festival, Electric Daisy Car-
nival, Bonnaroo and Lolla-
palooza.
Staff writer Randall
Roberts provided
additional reporting.
“SPECTRA,”part of the arts side of the 2019 Coachella Valley Music and Arts Festival at Empire Polo Club.
Brian van der BrugLos Angeles Times
No-chella: Fests put off
[Coachella,from E1]