New_York_Magazine_-_March_16_2020

(やまだぃちぅ) #1

88 new york | march 16–29, 2020


weird. Among the solipsistic and/or transcen-
dent gems are Akira Kurosawa’s immortal Ikiru,
Lucrecia Martel’s The Holy Girl, Andrew Ahn’s
Spa Night, and Jem Cohen’s Museum Hours. Tr y
not to see them with someone you love. Or sit on
the other side of the theater. d.e.
THEATER


  1. (^) See
    Coal Country
    Mining grief for tragedy’s sake.
    Public Theater, 425 Lafayette Street,
    through April 5.
    At the start of Jessica Blank and Erik Jensen’s
    documentary production, a judge enters to
    inform the relatives of those killed in the 2010
    Upper Big Branch mine collapse that their victim-
    impact statements won’t be heard. What follows
    is a powerful, painful show that is itself those very
    accounts: Actors perform testimonials verbatim,
    expressing anguish at deaths that could have been
    averted by union protections. Steve Earle, the
    great rock-folk artist, performs alongside them,
    a singing Virgil for families walking into hell. He
    transmutes grief first into beauty—then into a call
    to action. h.s.
    POP MUSIC

  2. (^) See New York City
    Gay Men’s Chorus
    Warm your pipes.
    NYU Skirball Center, March 20 to 22.
    At this year’s New York City Gay Men’s Chorus
    sing-along show, the theme is “Divas, Divas,
    Divas,” so expect to hear the greats, including
    Céline Dion’s “It’s All Coming Back to Me Now,”
    Dolly Parton’s “9 to 5,” and Lady Gaga’s “Born
    This Way,” natch.
    CLASSICAL MUSIC

  3. (^) Hear
    Jonathan Biss
    Boogie-woogie.
    92nd Street Y, March 26.
    Biss has spent years teaching a much-loved online
    course on his specialty, Beethoven’s piano sona-
    tas, and by the end of the 12 weeks, students have
    burrowed into a life written on 88 keys. In this
    recital, Biss jumps to the story’s finale, perform-
    ing the last three sonatas in order, and ending the
    series Sopranos style, with trills, tremolos, and
    scales fading into the darkness. j.d.
    BOOKS

  4. (^) Read We R ide
    Upon Sticks
    When a poet writes a novel.
    Pantheon.
    Set in a Massachusetts town whose history goes
    back to the Salem witch trials, Quan Barry’s
    splendid novel captures the giddy fun of 1980s
    pop culture in a story about the rise of a high-
    school women’s varsity field-hockey team via
    potentially supernatural means. “The prose style
    is neon, and the laughs do not stop,” writes New
    York’s Molly Young. “I feel like the author wrote
    the entire book with an evil grin on her face.”
    INTELLIGENCER.COM/NEWSLETTER
    POLITICS | BUSINESS | TECHNOLOGY | IDEAS
    Intelligence,
    in every sense
    of the word.
    TRANSMITTED
    REVISED
    ____ COPY DD AD PD EIC
    0620CR_ToDo_lay [Print]_36887608.indd 88 3/12/20 2:45 PM
    weird. Among the solipsistic and/or transcen-
    dent gems are Akira Kurosawa’s immortal Ikiru,
    Lucrecia Martel’s The Holy Girl, Andrew Ahn’s
    Spa Night, and Jem Cohen’s Museum Hours. Tr y
    not to see them with someone you love. Or sit on
    the other side of the theater. d.e.
    THEATER

  5. (^) See
    Coal Country
    Mining grief for tragedy’s sake.
    Public Theater, 425 Lafayette Street,
    through April 5.
    At the start of Jessica Blank and Erik Jensen’s
    documentary production, a judge enters to
    inform the relatives of those killed in the 2010
    Upper Big Branch mine collapse that their victim-
    impact statements won’t be heard. What follows
    is a powerful, painful show that is itself those very
    accounts: Actors perform testimonials verbatim,
    expressing anguish at deaths that could have been
    averted by union protections. Steve Earle, the
    great rock-folk artist, performs alongside them,
    a singing Virgil for families walking into hell. He
    transmutes grief first into beauty—then into a call
    to action. h.s.
    POP MUSIC

  6. (^) See New York City
    Gay Men’s Chorus
    Warm your pipes.
    NYU Skirball Center, March 20 to 22.
    At this year’s New York City Gay Men’s Chorus
    sing-along show, the theme is “Divas, Divas,
    Divas,” so expect to hear the greats, including
    Céline Dion’s “It’s All Coming Back to Me Now,”
    Dolly Parton’s “9 to 5,” and Lady Gaga’s “Born
    This Way,” natch.
    CLASSICAL MUSIC

  7. (^) Hear
    Jonathan Biss
    Boogie-woogie.
    92nd Street Y, March 26.
    Biss has spent years teaching a much-loved online
    course on his specialty, Beethoven’s piano sona-
    tas, and by the end of the 12 weeks, students have
    burrowed into a life written on 88 keys. In this
    recital, Biss jumps to the story’s finale, perform-
    ing the last three sonatas in order, and ending the
    series Sopranos style, with trills, tremolos, and
    scales fading into the darkness. j.d.
    BOOKS

  8. (^) Read We R ide
    Upon Sticks
    When a poet writes a novel.
    Pantheon.
    Set in a Massachusetts town whose history goes
    back to the Salem witch trials, Quan Barry’s
    splendid novel captures the giddy fun of 1980s
    pop culture in a story about the rise of a high-
    school women’s varsity field-hockey team via
    potentially supernatural means. “The prose style
    is neon, and the laughs do not stop,” writes New
    York’s Molly Young. “I feel like the author wrote
    the entire book with an evil grin on her face.”
    INTELLIGENCER.COM/NEWSLETTER
    POLITICS | BUSINESS | TECHNOLOGY | IDEAS
    Intelligence,
    in every sense
    of the word.

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