10 25 May 2019I http://www.amateurphotographer.co.ukIsubscribe 03303331113
Doyouhavesomethingyou’dliketogetoffyourchest?Sendusyourthoughtsinaround
500 wordstotheaddressonpage 12 andwina year’sdigitalsubscriptiontoAP,worth£79.
A
fewweeksagoI boughta copy
of LindaMcCartney’sbook
Sixties:Portraitof anErafroma
charityshop.Oneof thethings
thatattractedmeto it wasanimageof
TheBeatlespreparingto shootthecover
ofAbbeyRoadin 1969.Thephotograph
showsPaulMcCartneyadjustingthecollar
of RingoStarr’sjacket,whileJohnLennon
fiddleswiththebeltonhistrousers.It was
a hotday,andthebandis overdressed.A
memberof thepublichaswanderedover
fora chat,andthebandlooksat easewith
her.Technically,it’snota greatpicture–
Lindatookit forherownarchive– butit
doesprovidelotsof greatinformation.
ScottishphotographerIainMacmillan
tookthephotographthateventually
gracedthealbumcover.Heshotsix
framesof thebandcrossingtheroad,and
thesessionwasoverin just 15 minutes
becausetheycouldn’tholdthetraffic up
anylonger.Formostof usMacmillan’s
pictureis theonethatspringstomind
wheneverthealbumis mentioned,
butformeLinda’simageis equally
valuable.Seeingherbehind-the-scenes
photographledmetorevisitoneof my
favouritephotographybooks,Magnum
ContactSheets.
Thisweightytomefeaturescontact
sheetsfrom 69 membersof Magnum
PhotosincludingHenriCartier-Bresson,
ElliottErwittandIngeMorath.These
sheetswereneverintendedforpublic
consumption,solookingat themis a bit
likepeekingat someone’sdiary.Thehighs
andthelowsareallthere:youcantrace
theroutesthatledtoclassicimages,and
seewhathappenedaftertheyweretaken
too.Youcanalsoseethemistakesmade
bysomeof themasters:blown-outskies,
misjudgedfocus,poorcomposition–
there’snowheretohide.
Someof theframesaremarkedto
indicatethephotographer’spreference,
andit’sfuntolookat theseandtryto
workoutwhytheywerechosenover
others.Personallythough,I liketolook
at theframesthatweren’tselected– the
onesthatforonereasonoranotherwere
considered‘failures’.Afterall,failureis
greatfeedbackif youcanacceptit asa
partof thelearningprocess.
Lookingat thesecontactsheets
remindsmeof anarticleI onceread
aboutimprovingyourgolfswing.
Accordingtotheexpertsyouneedto
payasmuchattentiontowhathappens
beforeandafteryouhittheballasyou
dotothemomentof impact– allthree
stagesworktogethertoensuresuccess.
Seeinga rollof filmlaidoutin itsentirety
allowsustotracethephotographer’s
‘swing’andtoseewhythebuildupand
‘followthrough’aresoimportant.
Withsomanyof usshootingdigitally
thetraditionalcontactsheethasbecome
somethingof a rarity.Wemightimport
theentirecontentsof a memorycardto
animage-editingprogram,butthen
weusuallydeletetheunsuccessfulshots
withouttoomuchthought.Howabout,just
occasionally,wekeepsomeof the‘failures’
andconsiderwhatcanbelearntfromthem?
THE VIEWS EXPRESSED
NTH
SCOLUMN
ARE
NOT
NECESSARILY THOSE OF AMATEUR PHOTOGRAPHER MAGA ZINE OR TI MEDIA LIMITED
©
TRACY
CALDER
Themomentsbeforeandafteryoutakeagreat
picturecanprovidevaluable feedback, so don’t
be too quick to hit delete
View point
Tra cy Calder
TracyCalderhasmorethan 20 yearsof experiencein thephotomagazineindustry,andis oneof AP’sactingtechnique
editors.Shehaswrittennumerousphotographybooks,includingoneonclose-upandmacrophotography(her
specialist subject), and is the co-founder of Close-up Photographer of theYear.Visit http://www.cupoty.com.
MagnumContactSheetsis wellwortha look
as a superb source of photographic inspiration
© EMANUELE BIGGI
© NORMAN PARKINSON ARCHIVE/ICONIC IMAGES
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NormanParkinson
Revealed:thephotographicarchiveof
thislegendaryfashionphotographer
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In next week’s issue
On sale Tuesday 28 May
Sixties:PortraitofanErabyLindaMcCartney,
Little,BrownBookGroup,ISBN978-0821220566.
MagnumContactSheets, editedbyKristen
Lubben,Thames& Hudson,ISBN978-
0500292914 (latest version).