30 MOVIEMAKER.COM
Years after their
first collaboration,
Emerald Fennell
and Carey Mulligan
are brilliantly
calling the shots
BY TIM MOLLOY
SPRING 2020
AREY MULLIGAN, star of the explosive
Promising Young Woman, first met the film’s
writer-director Emerald Fennell years ago,
in an episode of the British TV procedural
Trial and Retribution.
“Emerald played ‘Bitchy Girl in Nightclub,’”
recalls Mulligan, “and I played ‘Girl Who Gets
Murdered.’ We had a fight in the nightclub,
and then I get thrown down the stairs.”
She clarifies diplomatically: “Not by Emerald.”
They only remembered their earlier collaboration about
two weeks into shooting Promising Young Woman, which is
likely to be much more memorable. We spoke to them at the
Sundance Film Festival, where it premiered to an exhilarating
mix of shock and delight.
The film offers a provocative new take on “Girl in Night-
club”: It opens with Mulligan’s lead character seemingly
drunk and barely conscious in a club, while a pack of guys
watch her. One decides to take her home, and tries to have
sex with her despite her apparent vulnerability. And then
we learn she isn’t so vulnerable after all. That’s only the
beginning of a twisty, Hitchcockian story that is equal parts
dark comedy and thriller. You’ll leave the theater thinking
about consent, but also feeling knocked out by the witty
storytelling.
It’s also gorgeous. The color palette is filled with soft
pastels, and the music is ecstatically perfect. Charli XCX and
Britney Spears have shining moments, but the best musical
number takes place in a drug store, and features a forgotten
song by the last artist you’d expect.
It’s just the right amount of medicine, and the right
amount of sugar.
“Just because something is difficult doesn’t mean it can’t
be beautiful, because life is a horrendous, beautiful night-
mare, isn’t it?” Fennell says. “I wanted it to be fun and a
C
HOW ‘GIRL IN NIGHTCLUB’
AND ‘GIRL WHO GETS
MURDERED’ MADE
PROMISING YOUNG WOMAN
popcorn movie that also turns the thumb-
screws on every single person watching it.
And I just want them to like it. I want it to
be kind of a horrible, beautiful experience.
Carey’s performance is the absolute linchpin
of that because it contains everything that
the film is.”
Fennell ran the second season of the
beloved BBC America thriller Killing Eve, and
plays Camilla Shand, the eventual Duchess
of Cornwall and wife of Prince Charles, on
Netflix’s The Crown. For all her TV success,
she also wanted to make sure her debut movie
felt like a true movie—“crafted and singular.”