COURTESY OF SCAD
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ATLANTA FILM FESTIVAL
ATLANTA, GEORGIA
/ SEPTEMBER 17-27, 2020 /
ATLANTAFILMFESTIVAL.COM
Once considered a major festival of
the South, with 8,500 submissions
this year, it’s now just a major festi-
val. It offers help on airfare, lodging,
transportation, and other perks, and
boasts a who’s-who list of distribu-
tors in attendance. A top publicity
team assists moviemakers, and
there’s a long list of events where
you can show off your Southern
(or non-Southern) charm, including
parties, hangouts, a screenwriters
summit, brunches, parties, and
pretty much any kind of social event
you can imagine. The sponsored
prizes are especially generous: The
festival cites a camera and post-
production services package from
Light Iron and Panasonic “valued
at $90,000.” And it celebrates the
cultural richness of Atlanta. “We
champion diversity and have for
a long time, says associate director
Cameron McAllister. “Women have
directed at least 50 percent of our
program for the last several years,
and filmmakers of color direct
40 percent. Additionally, we cherish
local voices with an average of
20 percent of our annual program-
ming having Georgia ties.”
AUSTIN FILM FESTIVAL
& WRITERS CONFERENCE
AUSTIN, TEXAS / OCTOBER 22-29,
2020 / AUSTINFILMFESTIVAL.COM
This festival is so loaded with top-tier
attendees that just listing them feels
like name-dropping. It’s one of the
best possible places to network and
publicize your work. The centerpiece
is the Writers Conference, the larg-
est gathering of screenwriters and
media storytellers in the world. The
fest is also a magnet for distribu-
tors, including A24, Sony Pictures,
and Neon. And accepted filmmakers
work with AFF’s PR team, land-
ing coverage in top entertainment
publications. Austin generously helps
accepted filmmakers with travel and
lodging, in one of the fun capitals of
the world. (And the actual capital of
U.S. & CANADAU.S. & CANADA
(^) SCAD SAVANNAH