MOVIEMAKER.COM SPRING 2020 49
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Killing Season. And he also sold Snow White and the Huntsman,
a script he’d written as an NYU sophomore, for $3.25 million.
We can’t promise that every one of our 15 Submission-Worthy
Screenwriting Competitions of 2020 will change your life as dra-
matically as ScriptPipeline changed Daugherty’s. But screenplay
competitions can be an excellent resource for writers, offering
valuable feedback, industry connections, mentorship, and even
monetary prizes.
Of course, there are a lot of contests out there, and they all cost
precious cash to enter. So in the interest of saving screenwriters
time and money, while simultaneously supporting competitions
with proven value, MovieMaker has sorted through dozens of them.
Before we share the top 15—in alphabetical order—let’s outline
MOVIEMAKER’S
BY GREG GILMAN
VAN DAUGHERTY has adapted Snow White,
Teenage Mutant Ninja Turtles, Tomb Raider and
He-Man for the big screen, but he didn’t get his big
break while working in Hollywood. He lived in Dal-
las when he funneled a fresh spec, Shrapnel, through
Script Pipeline’s 2008 screenplay contest — and won.
“I decided to actually fly out to LA for the ceremony. I had no
expectation of winning,” he told Script Pipeline. “I was just using
it as an excuse to visit some L.A. friends. So, when I was an-
nounced as one of the Grand Prize winners, it was a real shock.”
The win helped him land a manager, an agent, and his first
job—writing a draft of Warner Bros.’ Masters of the Universe
film. Shrapnel became the Robert De Niro-John Travolta film
E
15
Submission-Worthy
Screenwriting
Competitions of 2020
PRESENTED
BY
COURTESY OF SHUTTERSTOCK