66
O
ur burlydriverinthebaseballcapkepthis
eyesontheroadasmyunfailinglysuaveguide,
Ali,chattedaway.We’dbarelylefttheholy
metropolisofMashhad,innortheasternIran,
on ourwaytothesmall,ancienttownofTus,
andalreadyAliwasdiscoursingonflowersand
mystics and philosophersandempire.Otherthana quick
hello, our driver,perhaps60,saidnota word.It wouldbe
almost an hour beforewereachedourdestination:thequiet
tomb of Iran’s belovedchronicler,Ferdowsi.
Only seven hoursearlier,I’darrivedinthecountrywhose
poems and carpetshadfascinatedmesinceboyhood.Much
of me wasn’t evenhereyet,sinceI’dlandedinMashhadat
2:20 a.m. after 30 hoursofflightsfromSantaBarbarathrough
Los Angeles and Istanbul.ButAli,educatedina boarding MOHAMMAD
REZA
DOMIRI
GANJI
TRAVEL BloombergPursuits June 29, 2020
schoolnearLondoninthe1970s,waswide-awakeenoughfor
two.Aswepassedbillboardsfeaturingsternproclamations
fromhiscountry’srulers,Alikepttalkingabouthisculture’s
loveofveils.Themorehesaid,thelessI couldtellwherehe
stoodonthe 1979 revolutionthathadoverturnedhislife.
Finallywearrivedattheimposingmausoleum,honoring
thepoetwhohadfashionedthe60,000-couplethistorical
epicShahnameh, orBookofKings. Ourdriver,a veteranofthe
Iran-Iraqwar,I guessed,withhislargeheadandbulked-up
frame,openedthebackdoorformewithcharacteristiccour-
tesy.Inside,a fewlocalcouplespaidsilentrespectasAli
drewmyattentiontomarblefriezesdepictingscenesfrom
thethousand-year-old poem. Ferdowsi, he explained, had
given Persia a voice—sung Farsi into fresh existence—much
as Shakespeare and Cervantes had done in their countries.
Reading and writing about Iran could not
prepare me for what I saw there. By Pico Iyer
THE
ORIGIN OF
‘PARADISE’
Jameh Mosque
in Kerman