I
llusion of depth is one of the
hallmarks of representational
painting. The genres of landscape,
still life, portraiture and figurative
painting often depend on illusions
of three-dimensional forms existing
in a perceptual space. While some art
does not require illusions of depth to
convey its visual narrative, many do,
particularly in traditional genres.
Creating a visual sense of
perceivable depth in a painting
depends on several artistic principles
working in combination with each
other. A very important area is colour,
but colour in and of itself might not
create the full illusion of depth in a
painting unless it is combined with
the elements discussed below.
Colour must be modified by – and
added to – chromatic intensities,
edge descriptions, brushwork types
and details, and the size of colour
touches in the image. This complete
package creates aerial perspective
or illusions of depth via relationships
between these several visual and
technical elements.
The four descriptions below are
designed to support an increased
understanding of the formal and
visual elements of colour in creating
depth in painting. The same concepts
can be used across oil, acrylic,
watercolour, gouache, pastel and
other colour media.
COL
colo
Over the next seven pages, we present a painting workshop on using colour
to suggest three dimensions. AL GURY begins by outlining four areas of
focus, before DAVID HORNUNG breaks down those relationships in detail
Depth th
LEFT Al Gury,
Tuscan
Sunflowers, oil on
panel, 36x30cm
Depth was created
by using sharper,
more chromatic
and expressive
brushstrokes
in the flowers,
while softer
brushstrokes and
cooler colours
helped other areas
recede.
RIGHT Al Gury,
Reclining Nude,
oil on panel,
23x30cm
The overall high-
key colour choices,
combined with
strong variety
in foreground
and background
brushstrokes and
planes, created a
sense of depth.
Artists & Illustrators 63