Classic Pop April 2019

(Martin Jones) #1
SHAUN RYDER

HOW DID A SCRUFFY SCHOOL DROPOUT FROM SALFORD


WRITE SONGS THAT CAME TO DEFINE THE MADCHESTER ERA?


AS FABER PUBLISHES A COLLECTION OF HIS LYRICS, SHAUN RYDER


TELLS CLASSIC POP ABOUT HIS LIFE AS A WORDSMITH...
JONATHAN WRIGHT

T


he late, great Tony Wilson
was not a man who
believed in understatement.
His take on Shaun William
George Ryder, lead
singer with Happy Mondays, was
a case in point. Here, declared the
boss of Factory Records loftily, was
a Mancunian wordsmith worthy of
comparison to one of Ireland’s greatest
poets, WB Yeats.
“I didn’t know who Yeats was,”
laughs Ryder today. “I had no idea
and then, ‘Oh, he’s a poet and he’s
fantastic.’ ‘Oh nice one, Tony,
thanks.’ He didn’t compare me
to a drug-addled twat living in a
box under the fucking motorway,
so I took the compliment.”
As a new collection of Ryder’s
lyrics, Wrote For Luck, makes
clear, Wilson wasn’t being entirely
fanciful. Focusing on Ryder’s lyrics
from the late 1980s to the 1990s


  • from the Mondays’ debut, Squirrel
    And G-Man Twenty Four Hour Party
    People Plastic Face Carnt Smile (White
    Out) through peak Madchester and
    the messy comedown, and onwards
    to his work with Black Grape – it’s
    a reminder that Ryder is one of our
    foremost songwriters, a storyteller
    whose tall tales, which so often turn out
    to be based on hedonistic experience,
    have an immediacy that makes them
    jump off the page.


None too shabby for a man who,
by his own estimation, became the
Mondays’ frontman by default.
“I wanted to be a drummer,” says
Ryder. “I’d got some drums and I
couldn’t fucking play ’em and then,
when we got everyone together, I was
the singer. We all were having a go at

writing and they were shit. And I was
the best out of the bunch, so there
we go.”

MADE IN SALFORD
In truth, the story of how Shaun Ryder
came to tell his stories to the world, is
a little more convoluted than this and

involves going back to his childhood.
Born in Little Hulton, Salford, in 1962,
the young Ryder was a kid who
delighted in wordplay. Ordering a
“chippy dinner” at the chip shop, he’d
turn the price board into a song.
“I was the class clown, so I used to
make people laugh by making up
rhymes,” he remembers.
If only school had been so easy.
“I’m dyslexic,” says Ryder. “I had real
trouble at school. I went to a Catholic
school in the 60s where every time
you picked your pen up with your
left hand, you was fucking hit by
a stick on the knuckles. So I’m
not naturally right-handed, I’m
ambidextrous. I play football with
my left leg, and play pool and so
on, and so I ended up writing in
circles. And I can’t spell for shit.”
At least at primary school, his
mum worked in the infants as “what
you’d call a teaching assistant now”
and “kept an eye on me early doors”.
At secondary school in the 1970s,
he wasn’t so lucky. “It took me a long
time to understand simple things so
you was in the crowd control class, so
I pretty much dropped out of school
and never went past the age of 13,”
he says. “The only way I learnt my
alphabet – when I was 26 years old


  • was my girlfriend at the time taught
    it to me through singing, and I sung it
    and learnt it in fi ve minutes.”


Writing his


own luck


“I WANTED TO BE A


DRUMMER. I’D GOT SOME


DRUMS AND I COULDN’T


F**KING PLAY ’EM AND


THEN, WHEN WE GOT


EVERYONE TOGETHER,


I WAS THE SINGER.”
SHAUN RYDER
Free download pdf