The Washington Post - USA (2020-07-28)

(Antfer) #1

B6 EZ RE THE WASHINGTON POST.TUESDAY, JULY 28 , 2020


BY EMILY LANGER

Bruce Blair turned 25 the year
the Air Force gave him the assign-
ment that would set the course of
his life. For two years, as a Minute-
man missile launch officer at
Malmstrom Air Force Base in Mon-
tana, he would descend into an
underground bunker where he
stood ready to execute a nuclear
strike if the president ordered one.
At the time, in the early 1970s,
the United States and the Soviet
Union were nearly three decades
into the Cold War, which brought
with it the threat of nuclear holo-
caust. The U.S. president was often
imagined with a finger on the “but-
ton.” The “button” was not a button
but rather a complex set of pro-
cedures and verifications designed
to give the commander in chief
rapid control over nuclear forces.
From his vantage point in the
bunker, Dr. Blair concluded that
the risk of accidental nuclear war
was too great. Then as now, if the
United States detects an incoming
nuclear attack, the president has
only a few minutes to decide how
to respond. With weapons on what
is termed “launch ready alert,” mis-
siles can be fired within 12 minutes
of a president’s order. Once the
missiles take off, they cannot be
recalled.
Deeply marked by his experi-
ence, Dr. Blair devoted the rest of
his professional life to reducing the
nuclear threat — not through the
pacifist philosophies that animat-
ed many antinuclear activists but
through rigorous analysis of the
command-and-control system in
which he had played a role.
The recipient of a 1999 MacAr-
thur “genius” grant, Dr. Blair be-
came one of the most prominent
voices in the nuclear policy debate,
respected in Washington and Mos-
cow, in the military and intelli-
gence communities, as well as
among activists. He died July 19 at
a hospital in Philadelphia at age 72.
The cause was a stroke, said his
wife, Sally Blair.
Former U.S. senator Sam Nunn
(D-Ga.), a co-chair of the nonprofit


Nuclear Threat Initiative, de-
scribed Dr. Blair in a statement as
“an extraordinary public servant
who committed his life to reducing
nuclear risks around the world.”
He spent 13 years as a senior
fellow at the Brookings Institution
before establishing his own Wash-
ington-based think tanks, includ-
ing Global Zero, which he co-
founded in 2008 with a mission to
“stop the spread of nuclear weap-
ons, secure all nuclear materials
and eliminate all nuclear weapons:
global zero.”
He published books, conducted
a highly classified review of the
weaknesses of the U.S. nuclear
command-and-control system in
the 1980s, briefed members of
Congress on nuclear policy and
traveled to Moscow to consult with
Soviet nuclear experts. But never
far from his mind was his service as
a launch officer, standing by for an
order to fire nuclear-tipped inter-

continental ballistic missiles pow-
erful enough to kill millions of
people.
“It illuminated for me the speed
at which this process unfolds and
how there’s really no latitude to
question an order,” he told a publi-
cation of Princeton University,
where he had been a research
scholar since 2013. “It sensitized
me to the magnitude of devasta-
tion at stake, which is humon-
gous.”
Dr. Blair was a vocal proponent
of “de-alerting” nuclear arsenals
by removing weapons from
launch-ready alert — a status
known colloquially as “hair-trig-
ger alert” — and by physically sepa-
rating warheads from missiles.
The goal of such measures is to
build more time into the presiden-
tial decision-making process and
reduce the chance of error.
U.S. and Soviet officials “have
only a few minutes, at best, in

which to evaluate reports of an
apparent incoming missile strike
and decide the fate of the world,” he
told the New York Times in 1999.
“This is an intolerably short time.”
In a sensational op-ed published
in the Times in 1993, Dr. Blair
revealed the existence in Russia of
a “secret doomsday system,” built
in the Soviet era and known as the
“Dead Hand,” that allowed Mos-
cow to launch a nuclear counterat-
tack even if its leadership had been
killed or incapacitated.
“Bruce had an intense curiosity,
driven by experience — he had
served in the Minuteman silos,
touched the codes and keys, and
wanted to understand how nu-
clear alerts worked on both sides of
the Cold War,” observed David E.
Hoffman, a contributing editor at
The Washington Post and author
of the Pulitzer Prize-winning vol-
ume “The Dead Hand: The Untold
Story of the Cold War Arms Race

and Its Dangerous Legacy.”
“His curiosity,” Hoffman said in
an email, “led him to ask the pen-
etrating questions in Moscow that
revealed the existence of the ‘dead
hand’ system. He grasped the ab-
surdity — and danger — and
worked the rest of his career to
make the world safer from it.”
The end of the Cold War brought
about reductions in U.S. and Rus-
sian nuclear arsenals, but both
countries continue to aim nuclear-
armed missiles at each other. The
post-Cold War period also height-
ened fears about the possible nu-
clear capabilities of terrorists and
rogue states such as North Korea,
now led by Kim Jong Un. Dr. Blair
continued pressing for the reduc-
tion of nuclear arms worldwide
and for greater caution with those
that remained.
“The end of the Cold War en-
courages greater determination to
become something more than cogs
in the nuclear machinery,” he
wrote in the 1993 Times op-ed. “It
is time to be its master, not its
minion.”
Bruce Gentry Blair was born in
Creston, Iowa, on Nov. 16, 1947. His
father worked in hardware sales
after serving with the Army Air
Forces in Europe during World
War II, and his mother was a home-
maker.
Dr. Blair received a bachelor’s
degree in communications from
the University of Illinois in 1970
before serving in the Air Force. He
received a doctorate in operations
research from Yale University in
1984.
After leaving the Brookings In-
stitution, Dr. Blair led the Center
for Defense Information, later
known as the World Security Insti-
tute, whose initiatives included
Washington ProFile, a news serv-
ice that distributed content
around the world.
His books included “Strategic
Command and Control” (1985),
“The Logic of Accidental Nuclear
War” (1993) and “Global Zero Alert
for Nuclear Forces” (1995). In an
effort to reach the public — and not
only policymakers — about the nu-

clear threat, he was an executive
producer of the 2010 documentary
“Countdown to Zero.”
Dr. Blair’s marriages to Cindy
Olsen Hart and Monica Manchien
Yin ended in divorce.
Survivors include his wife of 28
years, the former Sally Onesti of
New Hope, Pa.; two daughters
from his first marriage, Carrie
Blair Shives of Thurmont, Md., and
Erica Blair Lockney of Middle-
town, Md.; a daughter from his
second marriage, Celia Paoro Yin-
Blair, and a son from his third
marriage, Thomas Onesti Blair,
both of New York City; his mother,
Betty Ann Blair of Shakopee,
Minn.; three sisters; and seven
grandchildren.
During the 2016 presidential
campaign, Dr. Blair organized a
letter signed by 10 former nuclear
launch control officers declaring
that they did not believe then-
nominee Donald Trump, if elected
to the White House, should be
granted the nuclear codes.
“He has shown himself time and
again to be easily baited and quick
to lash out, dismissive of expert
consultation and ill-informed of
even basic military and interna-
tional affairs — including, most
especially, nuclear weapons,” the
letter read. “Donald Trump should
not be the nation’s commander in
chief. He should not be entrusted
with the nuclear launch codes. He
should not have his finger on the
button.”
The month after his election,
Trump tweeted that the United
States “must greatly strengthen
and expand its nuclear capability
until such time as the world comes
to its senses regarding nukes.”
Dr. Blair told the Princeton
Alumni Weekly in 2018: “I’ve been
arguing for decades about the risks
of accidental or mistaken launch,
false warnings, nuclear terrorism,
and proliferation. But in the past,
not many of us concerned our-
selves with the rationality of the
leadership. The ascendance of
leaders like Trump and Kim have
really underscored that point.”
[email protected]

BRUCE BLAIR, 72


Ex-launch o∞cer was a voice for nuclear arms control


MAX WHITTAKER/GLOBAL ZERO
Bruce Blair at the 2011 Global Zero summit in London. Dr. Blair co-founded the group in 2008 to “stop
the spread of nuclear weapons, secure all nuclear materials and eliminate all nuclear weapons.”

BY HARRISON SMITH

Before appearing in Wes Cra-
ven’s “Nightmare on Elm Street”
films and fighting alongside Bruce
Lee in “Enter the Dragon,” John
Saxon was just a high school stu-
dent playing hooky, skipping class
to see a movie at New York’s Para-
mount Theatre.
Known at the time as Carmine
Orrico, he was the only son of an
Italian immigrant painter and dock
worker, with dark hair, dramatic
eyebrows and chiseled features
that caught the eye of a male-mod-
eling agent, w ho handed h is busi-
ness card to the teenager as he
walked out of the Times Square
movie palace.
“I started doing jobs for maga-
zines, like Modern Romance, all the
Macfadden publications. I did
about a dozen of them in one year,”
he told the Los Angeles Times in



  1. He recalled that for one photo
    shoot, he was cast as a Puerto Rican
    teenager, photographed while
    slumped against a trash can with a
    fake gunshot wound.
    The picture ran on the cover of a
    dime-store detective magazine and
    attracted the attention of Holly-
    wood agent Henry Willson, who
    had launched the careers of heart-
    throb actors such as Rock Hudson
    and Tab Hunter, and who set about
    making 17-year-old Carmine the
    next 1950s teen idol.
    “The next thing I knew,” Mr. Sax-
    on later told Drama-Logue maga-
    zine, “my mom and dad were sign-
    ing agreement contracts because I
    was still under age.” By the time he
    made his movie debut in 1954, he
    had given himself a stage name —
    inspired, in his telling, by a Brook-
    lyn roller hockey team called the
    Saxons.
    Mr. Saxon, who died July 25 at
    age 83, went on to appear in nearly
    200 television and film roles over
    the next six decades, often playing
    brooding lawmen or gunslinging
    bandits. While his leading-man sta-
    tus was brief, he became a fixture of
    B-movies and guest-starred on TV
    shows including “The Six Million
    Dollar Man,” “Starsky & Hutch” and
    “The A-Team.”
    When Quentin Tarantino direct-
    ed an episode of “CSI: Crime Scene
    Investigation” in 2005, he cast Mr.
    Saxon as the criminal villain, later
    explaining that he needed someone
    who could match wits “with an-
    other mastermind” — just as Mr.
    Saxon had in the 1966 western “The
    Appaloosa,” in which he played a
    Mexican outlaw who steals Marlon
    Brando’s horse.
    “John Saxon is the only actor to
    ever steal a movie from Marlon


Brando,” Tarantino said.
Mr. Saxon’s son, Antonio, con-
firmed the death but did not have
additional details. The actor’s wife,
Gloria Martel, told the Hollywood
Reporter that he died of pneumo-
nia in Murfreesboro, Tenn.
As an Italian American actor, Mr.
Saxon was sometimes cast as Na-
tive American, Latino or Jewish
characters. He played Marco Polo in
the ABC science-fiction series “The
Time Tunnel,” starred as a Puerto
Rican ex-con in the crime drama
“Cry Tough” (1959) and appeared as
an Israeli air force commander in
“Raid on Entebbe” (1977), based on
the real-life mission to free hostag-
es in Uganda.
Mr. Saxon also guest-starred on
the long-running NBC series “Bo-
nanza” and portrayed bandits or
cowhands in movies such as “The
Unforgiven” (1960), directed by
John Huston; “Joe Kidd” (1972),
starring Clint Eastwood and Robert

Duvall; and “The Electric Horse-
man” (1979), with Robert Redford
and Jane Fonda.
Like Tarantino, New York Times
movie critic Bosley Crowther was
especially admiring of Mr. Saxon’s
work in “The Appaloosa,” directed
by Sidney J. Furie.
“Somehow you find yourself
tensing as Mr. Brando, cautious and
slow, moves into the alien territory
of his wickedly smiling nemesis,
who is played by dark-eyed John
Saxon with remarkably fearsome
oiliness,” wrote Crowther. “Quickly
your muscles tighten as the two
men, now face to face, contend in a
show-down hand-wrestle on a table
fringed with scorpions.”
In addition to western fare, Mr.
Saxon was featured in the slasher
films “Black Christmas” (1974) and
“Tenebrae” (1982); played an FBI
agent in the vampire action movie
“From Dusk Till Dawn” (1996); and
appeared in “A Nightmare on Elm

Street” (1984) and two of its sequels,
as the police lieutenant father of
Heather Langenkamp’s character,
who battles the razor-gloved Fred-
dy Krueger.
“I am intrigued by horror and
fantasy-type things,” he once told
the Associated Press, “because I
think it is a way of magnifying some
part of the human mind that is
exhibited or projected in a highly
distorted way.”
Mr. Saxon was perhaps best
known for co-starring in the mar-
tial arts classic “Enter the Dragon”
(1973), the last movie Lee complet-
ed before his death at age 32. The
two men played competitors and
allies at an international martial
arts competition, and met at Lee’s
Hong Kong home shortly before
filming began.
Lee, generally considered the
most-influential martial artist of all
time, asked Mr. Saxon to demon-
strate his side-kick technique and

was apparently unimpressed by
Mr. Saxon, who had a few years of
karate under his belt. “Let me show
you how to do it,” Lee said, before
handing Mr. Saxon a shield to hold
for protection.
“He stood back, I would say a
good eight or 10 feet, and lunged
and belted that shield and knocked
me clear across the room and into a
chair, which broke,” Mr. Saxon re-
called in a talk at the Memphis Film
Festival in 2011. “He wasn’t con-
cerned with my being hurt, but he
said nobody had ever broken that
chair before. Apparently he had
done this many times. He was more
concerned about the chair than me.
He said, ‘That’s my favorite chair!’ ”
Mr. Saxon was born in Brooklyn
on Aug. 5, 1936. He was about 18
when he made his Hollywood de-
but in 1954, appearing in two
George Cukor movies, “It Should
Happen to You” and “A Star Is Born,”
before signing with Universal Pic-

tures.
His breakthrough as an actor
came two years later, when he
starred in both “Rock, Pretty Baby!,”
as a teenage guitarist performing
alongside Sal Mineo, and “The Un-
guarded Moment,” as a football
player accused of stalking his teach-
er, played by Esther Williams.
He was later cast opposite Deb-
bie Reynolds in “This Happy Feel-
ing” (1958), a Blake Edwards com-
edy that earned Mr. Saxon the Gold-
en Globe Award for most promising
newcomer.
His other early movies included
the Vincente Minnelli comedy “The
Reluctant Debutante” (1958), the
Korean War film “War Hunt”
(1962), which co-starred Robert
Redford in his first major film role,
and Otto Preminger’s religious dra-
ma “The Cardinal” (1963), in which
he played a Catholic woman’s Jew-
ish fiance.
He also starred in Italian produc-
tions such as “The Girl Who Knew
Too Much” (1963), credited with
kicking off the Italian mystery-hor-
ror genre known as giallo, and
played surgeon Theodore Stuart on
three seasons of the NBC medical
drama “The Bold Ones: The New
Doctors,” beginning in 1969.
After getting married and having
a son, Mr. Saxon said he began to
focus on supporting his family, tak-
ing parts as they came. “I was more
concerned about my own life in Los
Angeles, not necessarily in Holly-
wood,” he told the Knoxville (Tenn.)
News Sentinel. “I’d go from some-
thing that got reviews in national
magazines to the next job that came
along. If it paid tuition to a private
school, that was fine.”
Mr. Saxon was later featured on
the soap operas “Dynasty” and “Fal-
con Crest”; directed a zombie hor-
ror film, “Death House” (1988); and
appeared in movies such as “Bever-
ly Hills Cop III” (1994).
His first two marriages, to Mary
Ann Murphy and Elizabeth Phil-
lips, ended in divorce, and in 2008
he married Martel. In addition to
his wife and son, from his first mar-
riage, survivors include a sister.
Mr. Saxon continued acting in
recent years, with appearances on
shows including “Melrose Place” as
well as in independent movies such
as “God’s Ears” (2008), in which he
played a former prizefighter who
trains an autistic boxer.
“That movie is closer to my feel-
ings about what I want to do with
my career,” he told the Memphis
Commercial Appeal in 2011. “It’s a
touching movie. Serious. Car crash-
es — they don’t interest me any
more.”
[email protected]

JOHN SAXON, 83


Rugged screen veteran co-starred in ‘Enter the Dragon’


STANLEY BIELECKI MOVIE COLLECTION/GETTY IMAGES
A ctors John Saxon, left, a nd Bruce Lee, with producer Raymond Chow, on the set of the 1973 martial arts classic “Enter the Dragon.”
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