The Washington Post - USA (2020-07-28)

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C4 EZ RE THEWASHINGTONPOST.TUESDAY,JULY 28 , 2020


away.InAmerica,theysteal kids
fromtheirparents.This was true
even before allthis.
“Inthe shards of mirror,her
skintoneis gray.... She looks
scared.Coledoesn’t want[Miles]
to see that. Maybe that’swhat
superheroesare concealingbe-
hindthe masks:not theirsecret
identities, but the factthat
they’re scared....”
That excerptis agood“patch
test” forprospective readersof
“Afterland”: If the lastthing you
wantto thinkaboutare surprise
attacks and masks, perhaps a
cozyGoldenAgeBritishmystery
mightbe abetter choice.But for
thosewhosetaste for dystopian
suspenseis undiminished,Beu-
kes’stale of amotherandson
makingtheirwayacrossapost-
pandemic-ravaged landscape is
prescientand taut.
[email protected]

Maureen Corrigan,the book critic
for the NPR program“Fresh Air,”
teachesliteratureatGeorgetown
University.

abandoned golf development;
crashwith an anarchistcom-
mune;and ultimately join acult
of religiouspenitentsfor cover.
Everywherein this contemporary
“Herland,”Charlotte PerkinsGil-
man’s 1915utopiannovelabout
an all-femalesociety,women car-
ry machineguns, issueorders
andgenerally beliethe fantasy
thatamatriarchalsociety would
be kinderand gentler.
Thelong section of “Afterland”
devotedto life amidthe kooky
cultists drags somewhat, but,
overall, Beukesimbues what
couldhave simplybeenasensa-
tionalthrillerwithpsychological
depthand sharpdetail. Here, for
instance,is the openingscenein
the bathroomof thatderelictgas
station:
“Miles is still shaking,his thin
arms wrapped around his rib
cage, ...and his eyes keep jerking
backto the door....[Cole],too, is
expecting the doorto burstopen.
It feelsinevitablethatthey’ll be
foundand draggedback. She’llbe
arrested. Miles will be taken

wealthywomen desperatetobe
impregnated with virus-proof
sperm.
Whatensuesis asuspenseful
and intricate on-the-roadadven-
ture,toldfromthe alternating
perspectivesof Cole,Billieand
Miles. Or makethat“Mila.”For,as
soonas Cole and Miles makeapit
stop at an abandonedgas station,
Cole insists thatMiles don apink
T-shirt, skinnyjeansand glittery
barrettes in his “afrocurls” to
disguisehimselfas agirl. Miles is
mixed-race;his late fatherwas
AfricanAmerican,and Coleis a
whiteSouthAfrican.Whenthe
pandemic erupted, the family
was strandedin the United States
in the midstofavacation at
Disneyland.
Cole’s goal is to smuggle herself
and Miles backto theirhomein
Johannesburg,wheretheyhave
friendsand the situationseems
moreorderly.Settingout from
the West Coast, theymustmakeit
to Florida,wherethe possibility
of escapeawaits.Alongthe way,
the pairwill find shelterin an

Thepresenttimeof “Afterland”
is 2023, three years after the
pandemicfirststruck. (Another
unsettling coincidence.)Awom-
annamedCole(shortfor Nicole)
and her adolescent son, Miles
(oneof the less-than-1percentof
males worldwidewho are im-
muneto the virus),are on the run
in ahot-wiredcar.The pairare
speedingaway from adeceased
tech mogul’s luxurious estate,
whichhas beencommandeered
by “The Departmentof Men” as a
locked quarantinefacilityfor sur-
vivingmenand boysand their
female relatives.(Miles at one
pointthinksof this and an earlier
facilityhe’sbeen housedin as “a
boy zoo.”)
As will becomeclear,mother
and son are fleeingnot only their
government minders but also
Cole’s devioussister,Billie. She
turnedup at the quarantinecen-
ter,ostensiblyto be reunitedwith
family,but reallyto kidnapher
youngnephewwhose,um, emis-
sionswill fetch big moneyonthe
undergroundmarket catering to

lightsstrongfemalecharacters
plowingtheirwaythrough har-
rowingsituations.
Forinstance, “Broken Mon-
sters,”her 2014
thriller,isset in
the all-too-real
economic
wasteland of
Detroit, where
afemaledetec-
tive tracks a
killerwitha
flair for arrang-
ing his victims
in tableaus
reminiscentof
“The Islandof
Dr.Moreau.”
“Afterland”is
less grislythan
its predecessor
but perhapseeriersinceit imag-
ines aworld changedutterly by a
pandemic.Thepremiseof Beu-
kes’snovel differs fromour cur-
rentrealityinone crucial way:
Herdeadly virus infects only
malevictims.In “Afterland,”the
futureis female.

BYMAUREENCORRIGAN

Is dystopianfiction timelyor
justtoo muchthesedays?
Your response probably de-
pendson whetheryou wantthe
novels youread to mirror,in
somerefracted way, “how we live
now”orwhetheryou yearnto
escape into other lives, wider
horizons.
I’munapologeticallyin the lat-
ter category. So the newdystopi-
an suspensenovel,“Afterland,”by
LaurenBeukes, did not instantly
call to me. Giventhatit’sbeing
promotedby its publishers as
“‘TheChildren of Men’ meets
‘TheHandmaid’s Tale,’” “After-
land”promisedadescentinto
pandemicdespair.
But Beukes is suchan idiosyn-
cratic writer—one whodeftly
mashesup suspense,sci-fi, hor-
ror,time travel and,yes, dystopi-
an fiction —thatshe’s hard to
ignore.LikeP.D.Jamesand Mar-
garetAtwood, to whomshe was
implicitlycomparedin thatover-
the-topblurb,Beukes often spot-


BOOKWORLD


In an almost-too-real setting, mother and son are on the run after apandemic


AFTERLAND
By Lauren
Beukes
Mulholland. 416
pp. $28

tleyPhippswas so poignantthat
it had mournersreachingfor the
tissueboxes at theirfeet.
In atime as fractiousand un-
settling as this one —when the
conventionsof discourseare dis-
ruptedby apandemic,and the
institutionsof governmentrat-
tled by an administration deter-
minedto underminethem—itis
remarkablehowpotentlysucha
hallowedactcan holdus. The
death of arevered figure,at least,
can still bringthe majorityofus
backto alevel of compassion,and
to abeliefthatsomepeopleand
some traditionstranscend dis-
cord and ill will.
That ablackmanof magnifi-
cent civicaccomplishmentlies in
state, as the countryreels from
the deaths of GeorgeFloyd,Bre-
onna Taylorandothers at the
handsof police,imbuesthe mo-
mentwithan almosttheatrical
profundity. Couldawriterhave
timedamore soberingscenefor a
nation in turmoil?Among the
threedozenor so instancessince
1852inwhichCongresshas au-
thorizedthis distinction,Lewis is
only the fifthpersonof colorto lie
instateorinhonorasanindividu-
al. Theotherswerecivilrights
pioneerRosaParks,CapitolPolice
Officer Jacob J. Chestnut Jr., Sen.
DanielK. Inouye of Hawaiiand,
recently,Rep.ElijahE.Cummings
of Maryland.
Calculating the rightfulmeas-
ure of respectfor the deadis as
sacredfor us as it wasfor the
ancients —around whom the
mysteriesof death weresurelyas,
if not more,spirituallycomplex.
Sophocles’stragedy “Antigone,”
written in the fourth centuryB.C.,
unfoldsaroundthe heroine’s out-
rage over therefusalon painof
death by the Thebanking,Creon,


LEWISFROMC1


Capitol


farewell for


Lewis was


passionate


madeless abstractfor 8-year-old
me the finalityofdeath and more
penetrable the stoicismof agriev-
ing publicfamily.
Duty, of course,is also agood
wordfor Lewis, whodevotedhis
life to arighteouscause;the plac-
ing of his casket on thecatafalque
of pineboards constructed for
Lincolnfeelsitselflikearighteous
completion of ajourney. Because
an exercisein veneration of alife
of dutycan also have apolitical
dimension.Shakespeare,for one,
knewthatthe death of agreat
publicfigurecouldcommanda
stage, afactgraspedby every
sixth-grader in America after
they’vebeenassigned“JuliusCae-
sar.”
In one of the best-knownora-
tionsof all time,Mark Antony
entersin Act3withthe bodyof

to allowaproperburialfor Anti-
gone’s rebelliousbrother,Polynic-
es.
“Will you aid this handto lift
the dead?”Antigone asks her sis-
ter,Ismene.
“You wouldburyhim, whenit
is forbiddento Thebes?”Ismene
replies.
“I will do my part,”Antigone
vows,“andyours,if you will not,
to abrother.False to him will I
never be found.”
To this day, we satisfyacom-
pactwiththose we mourn,witha
duty, like Antigone’s,toaccount
publiclyforourrespect,andaffec-
tion.Fifty-seven yearsafter John
F. Kennedy’s assassination,Ican
still vividlyrecallwatchingJackie
Kennedyand theirdaughter,Car-
oline,kneelingbesidehis casket
in the Rotunda,atableauthat

SHAWNTHEW/EPA-EFE/SHUTTERSTOCK
Congressionalleadersandothersgatheredinthe CapitolRotunda foraceremony forthe late Rep.JohnLewis(D-Ga.)thatincludeda
poignant renditionof “Amazing Grace” by theRev. WintleyPhipps.

TONI L. SANDYS/THEWASHINGTONPOST
AU.S. flag at theU.S. Capitol fliesat half-staff aheadofthe arrival
of thecasket of Lewisat theRotunda..

the assassinated Caesarto deliver
aeulogybothpersonalanddeeply
political.“Myheartisinthe coffin
therewith Caesar,and Imust
pausetill it comebackto me,”he
says at onepoint in the “Friends,
Romans,countrymen”speech.It
issurelyaspeechintendedtospur
the populaceto rise up against
Caesar’s enemies;thecorollaryon
this occasionis the sentimentof
Lewis’sfriends and admirers,re-
minding mourners of amove-
mentwithworkstill to be done.
Theceremonyinthe Rotunda
reflected the moreconciliatory
tonesof Lewis’spoliticalcareer:
Thespeechesby House Speaker

NancyPelosi (D-Calif.),Senate
MajorityLeaderMitch McCon-
nell (R-Ky.)and House Majority
WhipJamesE. Clyburn(D-S.C.)
spokeoftherespecthecommand-
edonbothsidesoftheaisle.Itwas
the invocation by the Rev.
Grainger Browning Jr.that
broughtmoreof the fire, recalling
fortheinvitedaudiencehowLew-
is “marchedfor us, bloodiedfor
us, bruisedfor us.”
Therecognitionin the Capitol
of John R. Lewis’ssingular
achievements—the astonishing
arc of alife thatbeganas the child
of an Alabamasharecropper—
reserved its mostriveting mo-
mentfor thatrecordingof him
speaking.Thewordsofhischosen
—“Neverbecomebitter,never
becomehostile. We’reone peo-
ple.”—wereaimedat the con-
science,areminderthatevery life
is sanctified, even liveswithfar
humblerendings.In thatway,it
conjuredotherimmortal words
spoken overthe bodyof aloved
one:thoseof LindaLoman,the
widowof WillyLomanin Arthur
Miller’s “Death of aSalesman.”
“Attention,”shesays,“attention
mustfinally be paidto sucha
person.”
[email protected]

“Neverbecomebitter,


neverbecomehostile.


We’re one people.”
Rep.JohnLewis,in arecordingthat
was playedat the servicefor him

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