PeterisDigital
Photographer’s
expertacrossa
myriadofphoto
genres.Thisissue,
he’sbeenfocusing
onallthingssmallandwonderful
witha macromasterclass(p32),
a shootingtutorialonlandscape-
focusingtechniques(p72),a self-
portraitproject(p66),anda guideto
runningonlinecommunities(p74).
Website:
digitalcameraworld.com
PETER
FENECHOur contributors
©OnyiMossFuture PLC Quay House, The Ambury, Bath, BA1 1UA
Editorial
Editor Lauren Scott
[email protected]
0330 390 6246
Senior Designer Neo Phoenix
Production Editor James Price
Staff Writer Peter Fenech
Senior Art Editor Warren Brown
Content Director Chris George
Product photography Bath Photo Studio
Contributors
Anton Alymov, Jon Devo, Verity Milligan, Onyi Moss, Geraint
Radford, Serge Ramelli, Matthew Richards,
Main cover image
Andres Balcazar
Advertising
Media packs are available on request
Commercial Director Clare Dove
[email protected]
Advertising Manager Michael Pyatt
[email protected]
+44 (0)1225 687538
Account Manager Matt Bailey
[email protected]
+44 (0)1225 687511
International Licensing
Digital Photographer is available for licensing. Contact the
Licensing team to discuss partnership opportunities.
Head of Print Licensing Rachel Shaw
[email protected]
Subscriptions
Email enquiries [email protected]
UK orderline & enquiries 0344 848 2852
Overseas order line and enquiries +44 (0) 344 848 2852
Online orders & enquiries http://www.myfavouritemagazines.co.uk
Group Marketing Director Sharon Todd
Circulation
Head of Newstrade Tim Mathers
Production
Head of Production Mark Constance
Production Project Manager Clare Scott
Advertising Production Manager Joanne Crosby
Digital Editions Controller Jason Hudson
Production Manager Vivienne Calvert
Management
Brand Director Matthew Pierce
Head of Art & Design Rodney Dive
!ǝǣƺǔ!ȒȇɎƺȇɎ
ǔˡƬƺȸ Aaron Asadi
Printed by William Gibbons & Sons Ltd, 26 Planetary Road,
Willenhall, WV13 3XB
Distributed by Marketforce, 5 Churchill Place, Canary Wharf,
London, E14 5HU http://www.marketforce.co.uk Tel: 0203 787 9001
ISSN 1477-
We are committed to only using magazine paper which is derived f rom
ȸƺɀȵȒȇɀǣƫǼɵȅƏȇƏǕƺƳًƬƺȸɎǣˡƺƳǔȒȸƺɀɎȸɵƏȇƳƬǝǼȒȸǣȇƺٮǔȸƺƺȅƏȇɖǔƏƬɎɖȸƺِ
The paper in this magazine was sourced and produced f rom sustainable
managed forests, conforming to strict environmental and socioeconomic
standards.ThemanufacturingpapermillholdsfullFSC(ForestStewardship
!ȒɖȇƬǣǼ٣ƬƺȸɎǣˡƬƏɎǣȒȇƏȇƳƏƬƬȸƺƳǣɎƏɎǣȒȇAlllicence.contentsAllrights© (^2020) reserved.FutureNoPublishingpartofthisLimitedmagazineorpublishedmaybeunderused,stored,
transmittedorreproducedinanywaywithoutthepriorwrittenpermission
ofthepublisher.FuturePublishingLimited(companynumber2008885)
ǣɀȸƺǕǣɀɎƺȸƺƳǣȇ0ȇǕǼƏȇƳƏȇƳáƏǼƺɀِ «ƺǕǣɀɎƺȸƺƳȒǔˡƬƺي ªɖƏɵ RȒɖɀƺًÁǝƺ
Ambury,BathBA11UA.Allinformationcontainedinthispublicationis for
informationonlyandis,asfarasweareaware,correctatthetimeofgoing
topress.Futurecannotacceptanyresponsibilityforerrorsorinaccuracies
insuchinformation.Youareadvisedtocontactmanufacturersandretailers
directlywithregardtothepriceofproducts/servicesreferredtointhis
publication.Appsandwebsitesmentionedinthispublicationarenotunder
ourȒȸɖȵƳƏɎƺɀcontrol.ɎȒ ɎǝƺȅِÁǝǣɀȅƏǕƏɿǣȇƺWearenotresponsibleforǣɀǔɖǼǼɵǣȇƳƺȵƺȇƳƺȇɎtheircontentsorƏȇƳȇȒɎƏǔˡǼǣƏɎƺƳanyotherchangesǣȇ
anywaywiththecompaniesmentionedherein.
If yousubmitmaterialtous,youwarrantthatyouownthematerialand/
orhavethenecessaryrights/permissionstosupplythematerialand
youautomaticallygrantFutureanditslicenseesa licencetopublish
yoursubmissioninwholeorinpartinany/allissuesand/oreditionsof
publications,inanyformatpublishedworldwideandonassociatedwebsites,
socialmediachannelsandassociatedproducts.Anymaterialyousubmitis
sentatyourownriskand,althougheverycareis taken,neitherFuturenor
itsliableemployees,forlossoragents,damage.subcontractorsWeassumeallorunsolicitedlicenseesshallmaterialbe is for
publicationunlessotherwisestated,andreservetherighttoedit,amend,
adaptallsubmissions.
Futurecompanyplcquotedis a publiconthe
London(symbol:StockFUTR)Exchange
http://www.futureplc.com
zȒȇٮƺɴƺƬɖɎǣɮƺChiefƬǝƏǣȸȅƏȇexecutiveRichardZillahByng-ThorneHuntingford
!ǝǣƺǔˡȇƏȇƬǣƏǼȒǔˡƬƺȸRachelAddison
Tel+44(0)1225 442244
Onyi has become
synonymous with
creating romantic
and luxurious self-
portraits in the
sphere of lifestyle,
travel and fashion.
She’s our interviewee this month
- both in words and images – and
because she knows the importance of
sharing knowledge, she’s also giving
away her presets to DP readers (p8).
Turn to p22 to read the full Q&A.
Website:
mossonyi.com
ONYI MOSSVerityisbased
inBirmingham,
UK,andhas
beenshooting
landscapeand
commercialwork
fora decade.Inourprocolumn(p98),
shesharesherfeelingsonlast-minute
shootchanges– andexploreshow
momentsofabstractcreativitycan
actuallyhelptopushyououtofyour
photographiccomfortzone.
Website:
veritymilliganphotography.comVERITY
Jon is a gadget MILLIGAN
reviewer, content
creator and
influencer, and
we’re pleased to
welcome him as
a new contributor
thismonth.Jonspends his time
reviewing products and covering tech
news, and this issue he’s been testing
out the new Panasonic LUMIX G- a tiny vlogging camera that’s big on
features. Read his full review on p94.
Website:
twitter.com/jondevo
JON DEVOWe are committed to only using magazine paper which is derived from responsibly
managed, certified forestry and chlorine-free
manufacture. The paper in this magazine was sourced and produced from sustainable
managed forests, conforming to strict
environmental and socioeconomic standards.
The manufacturing paper mill and printer hold full FSC and PEFC certification and accreditation.Serge is one of
the world’s most
prolific Photoshop
teachers and fine-
art photographers.
He’s teamed up
withAntonAlymov in our pro guide
to cityscapes, ready to teach you the
shooting techniques and processing
tips needed to capture your best
urban images yet. Turn to p52 and
discover their advice now.
Website:
photoserge.comSERGE
RAMELLIGeraint’s cheeky
face has appeared
in the magazine
before, and this
time he’s back
to show us a top
macrophotography technique. In our
first creative project from p46, Geraint
explains how to shoot and edit close-
up images of bugs using handheld
focus-stacking – with minimal kit and
disturbance to subjects.
Website:
http://www.geraintradford.com
GERAINT
RADFORD4