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Allusedproducts
Sony
FE35mm
f/2.8ZA
£339
from
excellentcondition before oin onsale
aretested&cleaned
Ataglance
●Sensor24MPCMOS,35.8x23.9mm
●SensitivityISO100-25,600
●AutofocusHybrid,117-pointphase
detect,25-pointcontrastdetect
●Continuousshooting5fps
●VideoFullHDupto 60p
●Reardisplay3in,1.23m-dottiltLCD
●Viewfinder2.36m-dotelectronic,
0.71xmagnification
IN ASSOCIATION WITH PARK CAMERAS
Oneof themainpictorial
advantagesof full-frame
oversmallersensor
formatsis itsincreased
abilityto achieveshallow
depthof eldwhen
shootingat large
apertures,whichis
consideredto be
particularlydesirable
whenphotographing
people.Sony’sFE85mm
F1.8is a classic
short-telephotoportrait
primethatdeliverssharp
imageswitha good
degreeof background
blur,butwithoutbreaking
thebank.To matchit on
APS-Cyou’dneeda
56mmf/1.2;onlyFujilm
makessucha thing,and
it’sconsiderablymore
expensive.Rapidinternal
focusingis provided,with
fullsupportforSony’s
Real-TimeEyeAFonmore
recentcameras.At 371g
and82mmin length,this
f/1.8opticis also
considerablymore
manageablethanSony’s
hugeFE85mmF1.4GM,
whichweighsmorethan
twiceasmuch.
FE Lenses
Pretty much the smallest
and lightest ‘proper’
autofocus lens that you
can get for Sony’s
full-frame E-mount
mirrorless cameras, this
is a great option for when
you want to travel
super-light. It’s also
extremely affordable
when compared to its
Sony equivalent. Despite
its compact dimensions
- just 33mm long and a
featherweight 85g - Samyang has managed
to t in an optical system
that includes 7 elements
in 6 groups, including two
aspherical elements and
one made of high-
refractive index (HR)
glass. In addition, its
internal focus design
delivers reasonably
snappy AF. Images are
pretty good at f/2.8, with
the sweet spot of
maximum sharpness
being two stops down at
f/5.6. It’s a compelling
option for photographers
who want full-frame
image quality in the
smallest possible
package.
Sony FE 85mm F1.8
● £409
Samyang AF 35mm F2.8 FE
● £169
The shutter operates with a loud clack,
and while the camera sports no fewer
than four dials to set exposure, the
control layout is frankly a bit of a mess.
Battery life is unimpressive, but
thankfully third-party spares are cheap
and easy to nd.
Lenses old and new
The Alpha 7 is compatible with a large
range of full-frame E-mount lenses, not
just from Sony but also third-party
makers such as Samyang, Sigma,
Tamron and Zeiss. Even better, it will
also work with a vast array of old
manual-focus lenses originally designed
for 35mm lm SLRs and range nders
via mount adapters, making it a great
way of reviving optics from long-dead
systems. The electronic view nder
previews exactly how your shot will turn
out, in terms of brightness, colour and
depth of eld, and the tilting screen is
handy for shooting at high or low angles.
When shooting in raw, you can expect
image quality that’s not all that far
behind contemporary models, with
excellent dynamic range at low ISOs,
and very respectable high-ISO
performance. JPEG quality isn’t so great,
though, and has been much improved
on subsequent generations. The Alpha 7
was on sale new for a very long time,
which means that it’s quite plentiful on
the second-hand market, and relatively
easy to nd in good condition. If you can
live with its quirks, it’s one of the best
ways to get into shooting full-frame
on a budget.
The Alpha 7 delivers
full-frame image quality
on a budget
Sony Alpha 7, 24-70mm f/4 at 24mm,
1/60sec at f/16, ISO 1000