The New York Review of Books - USA (2020-09-24)

(Antfer) #1

September 24, 2020 73


late 1960s, wrote, “Everyone but an
economist knows without asking why
money shouldn’t buy some things.”
The Yale economist James Tobin wrote
tongue in cheek, “Any good second-
year graduate student in economics
could write a short examination paper
proving that voluntary transactions in
votes would increase the welfare of the
sellers as well as the buyers.”
The Protestant Reformation was
partly a protest against the sale of ec-
clesiastical offices (the sin of simony)
and the marketing of indulgences,
meaning entry into heaven. Human be-
ings were once commodities, as slaves.
Prostitution, both literal and meta-
phoric, means the sale of something
that in principle is not supposed to


be bought and sold. Michael Walzer’s
classic Spheres of Justice^6 points to
the necessity of what he calls “blocked
exchanges.”
Milanovic doesn’t quite locate his
discussion in this broader debate; he ob-
serves the collateral damage to citizen-
ship caused by market economies but
concludes that the purely economic im-
peratives of greater global income con-
vergence should take priority. At points,
Milanovic’s professional training as an
economist seems to be dueling with
his sensibilities as a liberal humanist.
He notes in passing that both low- wage
trade and labor migration are culturally
and politically disruptive, and that there

is a tension “between the welfare state,
access to which is based on citizenship,
and the free movement of labor.”
He also acknowledges the tendency of
globalization to intensify what he aptly
terms hypercommercialization and to
promote corruption. He laments the ex-
cess commercialization of sport at the
expense of norms of fair play; the com-
modification of many household activ-
ities such as cooking, eating, play, and
child- rearing; as well as the gig econ-
omy and what he calls the “outsourcing
morality,” via tax havens and regula-
tory evasions. One of his subsections
is titled “The Inevitable Amorality of
Hypercommercialized Capitalism.”
Yet in a remarkable lapse, Milanovic
flatly declares, “We lack any viable

alternative to hypercommercialized
capitalism. The alternatives the world
has tried have proved worse—some
of them much worse.” This assertion
misses the history of Western social
democracy. The political weakening of
the social democratic model is another
casualty of globalization, but for nearly
half a century social democracy was
precisely an attractive “viable alterna-
tive” to the hypercommercialism that
Milanovic decries. The postwar era saw
record growth in the West as well as in-
creasing equality, one of the few times
in world history that a basically capital-
ist economy squared that circle. Social
democracy ceased to be politically via-
ble only because capitalists reclaimed
power that had been temporarily

AND






A CURRENT LISTING


Yossi Milo Galler y, 245 Tenth Avenue, New York, NY 10001
(212) 414-0370; yossimilo.com; [email protected]; Tuesday–Saturday,
10 – 6PM


ALISON ROSSITER: SUBSTANCE OF DENSITY 1918 –1948
Through October 17, 2020


5RVVLWHU·VWKLUGH[KLELWLRQDWWKHJDOOHU\IHDWXUHVDFKURQRORJ\RIDV-
VHPEODJHVPDGHIURPH[SLUHGSKRWRJUDSKLFSDSHUVLQWKHDUWLVW·VFRO-
OHFWLRQ(YHQLQGDUNVWRUDJHHDFK
SDFNDJHRISDSHUUHDFWHGWRFRQGL-
WLRQV³PRLVWXUHKXPLGLW\SK\VLFDO
GDPDJHDWWDFNVE\PROGVSRUHV³
WKDW PDQLIHVWHG LQ WRQDO FKDQJHV
ZKHQ GHYHORSHG 7KHVH UHVXOWLQJ
WRQHVDUHHYLGHQFHRIWKHSDSHUV·
H[SHULHQFH DQG DUH WDNHQ E\ WKH
DUWLVWWREHVXEMHFWPDWWHU


2QOLQHYLHZLQJURRP
\RVVLPLORYLHZLQJURRPVFRP


LewAllen Galleries
Railyard Arts District
1613 Paseo de Peralta
Santa Fe, NM 87501
(505) 988-3250, contact@
lewallengalleries.com;
http://www.lewallengalleries.com
EMILY MASON: IN
MEMORIAM EXHIBITION
6HSWHPEHU²2FWREHU
:RUNV E\ (PLO\ 0DVRQ
² LFRQRIO\ULFDO
DEVWUDFW SDLQWLQJ IROORZ-
LQJ DQ H[WUDRUGLQDU\ VL[
GHFDGHFDUHHU&RQWDFWJDO-
OHU\IRUH[KLELWLRQFDWDORJ
Outshines the Moon, 2018

Marlborough Graphics, 545 West 25th Street, New York, NY 10001
(212) 463-8634; [email protected]; Monday–Saturday,
10 – 6PM

Red Grooms
The Cedar Bar, 19672IIVHW/LWKRJUDSK[(GLWLRQRI
2WKHUSULQWVE\5HG*URRPVDYDLODEOH

'HQVLW\, 2019
Two Unique Gelatin Silver Prints

Figureworks Gallery
168 N. 6th St., Williamsburg, Brooklyn, NY 11211, ZZZÀJXUHZRUNVFRP
(718) 486-7021; Gallery Hours: Saturday & Sunday 1–6PM & by appointment

FIGUREWORKS GALLERY ZDV RQH
of WKHHDUOLHVWJDOOHULHVWRRSHQLQWKH
WKULYLQJ DUW VFHQH RI :LOOLDPVEXUJ
%URRNO\QLQ,QWKHVH\HDUV
WKHJDOOHU\KDVFRQVLVWHQWO\SUHVHQW-
HG H[FHSWLRQDO ÀJXUHEDVHG ZRUN E\
HVWDEOLVKHG FRQWHPSRUDU\ DQG WK
FHQWXU\DUWLVWV

To celebrate this WK DQQLYHUVDU\
ZRUNE\DUWLVWVRYHU\HDUVKDV
EHHQ VHOHFWHG IRU D URWDWLQJ H[KLEL-
WLRQWRUXQWKURXJKWKHHQGRIWKH\HDU
7KHVHDUWLVWVH[HPSOLI\WKHGLYHUVHSR-
WHQWLDOLQUHDOL]LQJWKHJDOOHU\
VFRQWLQ-
XHGPLVVLRQWRUHSUHVHQWÀQHDUWRIWKH
KXPDQIRUP

The Drawing Room
55 Main Street, 2nd Floor
East Hampton, NY 11937
(631) 324-5016
http://www.drawingroom-gallery.com;
Friday—Monday, 11–5PM
PAINTING PLACE
Lois Dodd, Sheridan Lord,
Jane Wilson
6HSWHPEHU²2FWREHU 2020
FDWDORJDYDLODEOH
Jane Wilson
December, 1991
RLORQOLQHQ[

Jacqueline Schiffman,
%HQHGLWD, 2002, mixed
media, 28" x 17"

Alexandre Gallery
724 Fifth Avenue, 4th Floor
New York, NY 10019
(212) 755-2828
alexandregallery.com
NEW WORK BY GALLERY
ARTISTS: %5(77 %,*%((
/2,6'2''720877(&+
67(3+(1 :(67)$// -2+1
:$/.(5
6HSWHPEHU ²2FWREHU 
2QYLHZDWthe gallery
DQGRQOLQHDW
ZZZDOH[DQGUHJDOOHU\FRP
Stephen Westfall
Embracing Diamonds, 2020,
JRXDFKHRQSDSHU[

Swann Auction Galleries
104 East 25th Street, New York, NY 10010
(212) 254-4710; swanngalleries.com

$PHULFDQ$UWLQFOXGHVDUREXVWVHOHFWLRQRISDLQWLQJVZDWHUFRORUVDQG
GUDZLQJVE\SUHPLHU$PHULFDQDUWLVWVIURPWKHODWHQLQHWHHQWKWKURXJK
WKHPLGWZHQWLHWKFHQWXULHV$PRQJWKRVHIHDWXUHGDUHZDWHUFRORUVE\
&KLOGH+DVVDPLQFOXGLQJVLJQDWXUH,PSUHVVLRQLVWVFHQHVIURP&HOLD
7KD[WHU
VVXPPHUKRXVHDW$SSOHGRUHDQGWKH,VOHRI6KRDOVDFKDUP-
LQJRLOE\*UDQGPD0RVHVFRPSOHWHGDWWKHYHU\HQGRIKHUFDUHHU
DW\HDUVROGDQLPSRUWDQW
PDOHÀJXUDOGUDZLQJE\0DUVGHQ
+DUWOH\DQGOXPLQLVWVHDVFDSHV
E\$OIUHG7%ULFKHU7KHDXFWLRQ
HQFRPSDVVHVWKHYLVLRQVRIWKH
+XGVRQ 5LYHU 6FKRRO ,PSUHV-
VLRQLVP 5HJLRQDOLVP 6RFLDO
5HDOLVP DQG HDUO\ 0RGHUQLVP
ZLWK IXUWKHU ZRUNV E\ &KDUOHV
%XUFKÀHOG -RKQ 0DULQ 5HJL-
QDOG 0DUVK 6HYHULQ 5RHVHQ
DQG-RVHSK6WHOOD

Grandma Moses, +DSS\'D\V,
oil on masonite, 1961.
Estimate $50,000 to $80,000.




AND






A collection of notable art and
exhibitions from around the world.

If you would like to know more about the listing, please contact
[email protected] or (212) 293-1630.

(^6)  



Free download pdf