New York Magazine - USA (2020-09-14)

(Antfer) #1
metafictional mindfuckery, but whatholdshis
new feature together are the terrific performances,
which maintain their emotional groundingeven
as the movie becomes more dreamlike. a. w.
POP MUSIC


  1. (^) Listen to
    The Ascension
    An indie-rock darling returns.
    Asthmatic Kitty.
    Five years after the downcast folk masterpiece
    Carrie & Lowell, an elegy for his late mother,Suf-
    janStevensseemstowanttodanceagain.Early
    previews of the versatile singer-songwriter’s
    eighth album find a blend of chirpingsynthsand
    organic instruments and lyrics that speaktothe
    state of the nation. c.j.
    TV

  2. (^) Wat ch Wilmore
    Back on late night.
    Peacock, September 18.
    Comedy Central canceled The LarryWilmore
    Show a few months before the 2016 presidential
    election. Now Peacock is bringing himbackwith
    a new talk show, ahead of the big 2020vote. j.c.
    BOOKS

  3. (^) Read Young, Gifted
    and Black
    More than a coffee-table book.
    D.A.P., September 22.
    Young, Gifted and Black surveys the nextgenera-
    tion of Black artists but with an eyetowardthe
    generation just before. In examining theart collec-
    tions of Bernard Lumpkin and CarmineBoccuzzi,
    this tome presents critical and personalessays
    from curators, collectors, writers, andartistslike
    Jordan Casteel and Kevin Beasley.
    CLASSICAL MUSIC

  4. (^) Listen to Bach:
    Goldberg Variations
    Lang Lang behind the keys.
    Deutsche Grammophon.
    Leave it to the pianist with 200-horsepowerhands
    to wait 20 years before getting aroundtoBach’s
    Goldberg Variations and then put outa double
    album. The results are, as always withLangLang,
    a mixture of the astounding and the maddening:
    Some variations move in slo-mo, othersat luge
    speed; some are spare, others encrustedwithorna-
    mentation. j.d.
    TV

  5. (^) Wat ch Ratched
    Big Nurse’s origin story.
    Netflix, September 18.
    Sarah Paulson takes on the role of Nurse Ratched
    in a series that considers her history inpre–
    Cuckoo’s Nest days. j.c.
    MOVIES

  6. (^) See Beau Travail
    A classic restored.
    VOD via the Criterion Collection.
    The rerelease of Claire Denis’s mesmerizing 1999
    reimagining of Herman Melville’s Billy Budd
    among young French Foreign Legion soldiers in
    Africa is exciting news. Surpassing narrative con-
    vention, Denis focuses on the soldiers’ training
    exercises, and the movie feels at times like it’s com-
    posed entirely of bodies running, fighting, and
    sometimes dancing. bilge ebiri
    ART

  7. (^) See Nicola Tyson
    Self-portraits.
    Petzel Gallery, 35 East 67th Street,
    through October 3.
    Once upon a time in the 1990s, a teeny walk-up
    gallery opened in Soho. This was Trial Balloon, a
    women-only project space, co-run by excellent
    British-born painter Nicola Tyson, whose own
    semi-abstract, semi-figurative work predated by
    decades the very kind of paintings that so many
    are making today. Here, see Tyson, now 60, firing
    on all optical cylinders. j.s.
    TV

  8. (^) Wat ch Primetime
    Emmy Awards
    Live from 114 locations.
    ABC, September 20.
    Will this year’s virtual ceremony honoring the
    best in television be more like the wild MTV
    VMAs, the smoothly executed DNC, or a Zoom
    meeting hosted by a tuxedo-clad Jimmy Kimmel?
    Watching is the only way to find out. j.c.
    OPERA

  9. (^) See Houston
    Grand Opera
    Scenes from Carmen, Werther, Don Quichotte,
    and more.
    houstongrandopera.org,
    September 25.
    Among the pandemic’s many cultural casualties


THE 60-SECOND BOOK EXCERPT


LIKE A BIRD


By Fariha Róisín

nothing is as important as honor
was ringing in my ears. Nothing. It was
as if all the years of advice had led me
to this point. Had he always wanted
to throw me out? And did she always
want to let him? I didn’t care about his
mind anymore, the way it broke my
spirit to see him stumble on the easiest
pronunciationsorthe small,tempered
shakehishandswerenowrhythmed
with.I didn’t care.My grief knew no
limits,too,yetnowit wasbeingyanked
likea weedoutofthetopsoil.
As I begantomove about my
room—theirroomnow—my mother
wheezedintothewallopposite from
me.I feltsickwatchinghercry. There
wasnoroominsidemeforsympathy.
(UnnamedPress,September 15)

nymag.com/ogs

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