Philosophy of the Performing Arts

(Bozica Vekic) #1

220 references
Bowers, F. (1955) On Editing Shakespeare and the Elizabethan Dramatists. University of
Pennsylvania Press, Philadelphia.
Brook, P. (1988) The Shifting Point. Methuen, London.
Brown, L. B. (1996) Musical works, improvisation, and the principle of continuity.
Journal of Aesthetics and Art Criticism , 54, 353–369.
Brown, L. B. (2000) Phonography, repetition and spontaneity. Philosophy and
Literature
, 24, 111–125.
Burgess, J. P. (1983) Why I am not a nominalist. Notre Dame Journal of Formal Logic ,
24, 93–105.
Caplan, B., and Matheson, C. (2006) Defending musical perdurantism. British
Journal of Aesthetics
, 46, 59–69.
Carroll, N. (1986) Performance. Formations , 3, 63–79. Reprinted in part in
D. Goldblatt and L. B. Brown (eds) (1997), Aesthetics: A Reader in Philosophy of the
Arts
. Prentice Hall, Upper Saddle River, NJ, pp. 389–397.
Carroll, N. (1988) Mystifying Movies. Columbia University Press, New York.
Carroll, N. (1998) A Philosophy of Mass Art. Clarendon Press, Oxford.
Carroll, N. (2003) Dance. In J. Levinson (ed.), The Oxford Handbook of Aesthetics.
Oxford University Press, Oxford, pp. 583–593.
Carroll, N., and Banes, S. (1982) Working and dancing. Dance Research Journal , 15,
37–42. Reprinted in part in D. Goldblatt and L. B. Brown (eds) (2005), Aesthetics:
A Reader in Philosophy of the Arts
, 2nd edn. Pearson Prentice Hall, Upper Saddle
River, NJ, pp. 249–255. Page references are to this version.
Cochrane, R. (2000) Playing by the rules. Journal of Aesthetics and Art Criticism , 58,
135–142.
Cohen, S. J. (1982) Next Week, Swan Lake: Reflections on Dance and Dances. Wesleyan
University Press, Middletown, CT.
Conroy, R. (2006) The identity conditions of danceworks. Unpublished paper
presented at the American Society for Aesthetics Pacific Division meetings,
Asilomar, CA, March 2006.
Conroy, R. (2007) Dancework reconstruction. Unpublished paper presented at
the American Society for Aesthetics Pacific Division meetings, Asilomar, CA, March
2007.
Currie, G. (1989) An Ontology of Art. St. Martin’s, New York.
Da Fonseca-Wollheim, C. (2008) A jazz night to remember. Wall Street Journal ,
October 11.
Danto, A. (1981) The Transfiguration of the Commonplace. Harvard University Press,
Cambridge, MA.
Davies, D. (2003) Medium. In J. Levinson (ed.), The Oxford Handbook of Aesthetics.
Oxford University Press, Oxford, pp. 181–191.
Davies, D. (2004) Art as Performance. Blackwell, Oxford.
Davies, D. (2007a) Aesthetics and Literature. Continuum Press, London.
Davies, D. (2007b) Telling pictures: the place of narrative in late-modern visual art.
In P. Goldie and E. Schellekens (eds), Philosophy and Conceptual Art. Oxford
University Press, Oxford, pp. 138–156.
Davies, D. (2009a) Dodd on the “audibility” of musical works. British Journal of
Aesthetics
, 49, 99–108.
DDavies_bref.indd 220avies_bref.indd 220 1/31/2011 3:54:19 PM 1 / 31 / 2011 3 : 54 : 19 PM

Free download pdf