Philosophy of the Performing Arts

222 references
Gaut, B. (1997) Film authorship and collaboration. In R. Allen and M. Smith (eds),
Film Theory and Philosophy. Clarendon Press, Oxford, pp. 149–172.
Gibson, J. J. (1979) The Ecological Approach to Visual Perception. Houghton Mifflin,
Boston.
Godfrey, M., Biesenbach, K., and Greenberg, K. (eds) (2010) Francis Alÿs: A Story of
Deception. Tate Publishing, London.
Goehr, L. (1989) Being true to the work. Journal of Aesthetics and Art Criticism , 47,
55–67.
Goehr, L. (2007) The Imaginary Museum of Musical Works , rev. edn. Oxford University
Press, Oxford.
Goldberg, R. (2001) Performance Art , rev. and expanded edn. Thames and Hudson,
London.
Goldie, P., and Schellekens, E. (2010) Who’s Afraid of Conceptual Art? Routledge,
London.
Goodman, N. (1976) Languages of Art , 2nd edn. Hackett, Indianapolis.
Goodman, N. (1978) Ways of Worldmaking. Hackett, Indianapolis.
Goodman, N. (1984) Of Mind and Other Matters. Harvard University Press,
Cambridge, MA.
Gould, C. S., and Keaton, K. (2000) The essential role of improvisation in musical
performances. Journal of Aesthetics and Art Criticism , 58, 143–148.
Gracyk, T. (1996) Rhythm and Noise: An Aesthetics of Rock. Duke University Press,
Durham, NC.
Graham, M. (1974) A modern dancer’s primer for action. In S. J. Cohen (ed.),
Dance as a Theatre Art. Dodd, Mead, New York.
Grotowski, J. (1988) Towards a Poor Theatre , preface by Peter Brook. Simon &
Schuster, New York.
Hamilton, A. (2007) Aesthetics and Music. Continuum Press, London.
Hamilton, J. (2007) The Art of Theater. Wiley-Blackwell, Oxford.
Hamilton, J. (2009a) The Art of Theater : A précis. Journal of Aesthetic Education , 43,
4–14.
Hamilton, J. (2009b) Replies to criticisms. Journal of Aesthetic Education , 43,
80–106.
Hegel, G. W. F. (1975) Aesthetics: Lectures on Fine Art , 2 vols, trans. T. Knox. Clarendon
Press, Oxford.
Jacobs, J. E. (1990) Identifying musical works of art. Journal of Aesthetic Education ,
24, 75–85.
Kalderon, M. E. (ed.) (2005) Fictionalism in Metaphysics. Oxford University Press,
Oxford.
Kania, A. (2005) Review of Art as Performance. Mind , 114, 137–141.
Kania, A. (2006) Making tracks: the ontology of rock music. Journal of Aesthetics and
Art Criticism , 64, 402–414.
Kania, A. (2008) The methodology of musical ontology: descriptivism and its impli-
cations. British Journal of Aesthetics , 48, 426–445.
Kania, A. (2010) Silent music. Journal of Aesthetics and Art Criticism , 68, 343–353.
Kania, A. (forthcoming) All play and no work. Journal of Aesthetics and Art Criticism , 69.
DDavies_bref.indd 222avies_bref.indd 222 1/31/2011 3:54:20 PM 1 / 31 / 2011 3 : 54 : 20 PM